Alexander, Revisited - The Final Cut [Blu-ray]

• Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and

Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and graphic battle scenes and unadulterated sensuality, it's the movie you couldn't see in theatres, now av! ailable on DVD for the very first time!

DVD Features:
Introduction
Theatrical Trailer

For better or worse (and in this case, it's mostly for better), Oliver Stone's Alexander Revisited should stand as the definitive version of Stone's much-maligned epic about the great Asian conqueror. Following the DVD release of his previous Director's Cut, Stone offers a video introduction here, explaining why he felt a third and final attempt at refining his film was necessary. Essentially, he's using this opportunity to re-create the "road show" format of the Biblical epics of the 1950s and '60s, with a three-and-a-half-hour running time (with an intermission at the two-hour mark) including 45 minutes of previously unseen footage. Stone has also significantly restructured the film, resulting in substantial (if not exactly redemptive) improvements in its narrative flow. Alexander (played in a torrent of emotions by Colin Farrell) is dying as th! e film opens, his final moments serving to bookend the film's ! epic sto ry, which incorporates flashback sequences to flesh out the Macedonian king's back-story involving the turbulent battle of fate between his father, King Philip (Val Kilmer) and his scheming sorceress mother Olympia (Angelina Jolie, ridiculous accent and all), who insists that Alexander is literally a child of the gods.

In Stone's final cut, epic battles remain chaotic (although Alexander's strategy is somewhat easier to follow, with on-screen titles indicating left, right, and center during his army's greatest maneuvers) and the ultra-violent battles are more graphically gory than ever (hence their "unrated" status). The animalistic lovemaking of Alexander and his barbarian bride Roxana (Rosario Dawson) is slightly extended (with Dawson as ravishing as ever), and Stone's additional footage also improves the overall arc of Alexander's relationship with his closest generals and male companions, although his most intimate homosexual encounters remain mostly discreet.! As Alexander Revisited makes clear, the film's weaknesses remain unavoidable, but Stone deserves credit for recognizing how a longer running time, and more disciplined narrative structure, would bring Alexander closer to the respect it never earned from critics and filmgoers alike. This is unquestionably a better film than it used to be, leaving us to wonder why it took three separate efforts to shape Alexander into its best possible presentation. --Jeff Shannon

Shaun of the Dead

• Zombie Gallery, Uncensored Commmentary, Zomb-o-meter

HOT FUZZ - DVD MovieIn Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Peg! g's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyHere comes the fuzz…with more action and comedy than ever before! This definitive Hot Fuzz Ultimate Edition features non-stop entertainment that delivers heart-pounding thrills and outrageous laughs from the guys! that created Shaun of the Dead!In Shaun of the Dead, i! t was th e zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny ! at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyHOT FUZZ COLLECTOR'S EDITION - DVD MovieIn Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha C! hristie country. His superiors (the comic trifecta of Martin C! ampbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured! than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyGet ready for a gut-busting, outrageous comedy from the guys that created Shaun of the Dead. Nicholas Angel (Simon Pegg) is a big-city cop who can't be stopped - but he's making everyone else on the force look bad. When he is reassigned to a small, quiet town, he struggles with this new, seemingly idyllic world and his bumbling partner (Nick Frost). But their dull existence is interrupted by several grisly and suspicious accidents, and the crime-fighting duo turn up the heat and hand out high-octane, car-chasing, gun-fighting big-city justice in this hilarious hit critics are calling "Outrageous! Uproariously Funny!" (Thelma Adams, US Weekly). Starring: Simon Pegg, Nick Frost, Jim Broadbent, Paddy Considine, Timothy Dalton, Anne Reid, Rafe Spall, Billie Whitelaw, Edward Woodward, Bill Nighy Directe! d by: Edgar WrightIn Shaun of the Dead, it was the zomb! ie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, A! ngel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyStudio: Uni Dist Corp. (mca) Release Date: 06/28/2011 Rating: RThere comes a day in every man’s life when he has to get off the couch...and kill some zombies. When flesh-eating zombies are on the hunt for a bite to eat, it’s up to slacker Shaun (Simon Pegg) and his best pal Ed (Nick Frost) to save their friends and family from becoming the next entrée. Novelist Stephen King gushes Shaun of the Dead is “a 10 on ! the fun meter and destined to be a cult classic” and Newswee! k calls it “a bloody hoot!” It’s a screamingly hilarious zomedy that will have you dying with laughter.British horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some famil! ar faces from The Office. --Bret FetzerGet ready for a gut-busting, outrageous comedy from the guys that created Shaun of the Dead. Nicholas Angel (Simon Pegg) is a big-city cop who can't be stopped - but he's making everyone else on the force look bad. When he is reassigned to a small, quiet town, he struggles with this new, seemingly idyllic world and his bumbling partner (Nick Frost). But their dull existence is interrupted by several grisly and suspicious accidents, and the crime-fighting duo turn up the heat and hand out high-octane, car-chasing, gun-fighting big-city justice in this hilarious hit critics are calling "uproariously funny!" (Thelma Adams, US Weekly).In Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is p! romoted to sergeant. The catch is that he's being transferred ! to Agath a Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-ra! ting with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyIt is only natural to be scared of zombies, and to prevent them from laying waste to your home. A more relaxing approach, however, is to be bored and vaguely annoyed by them, or, better still, not to notice them in the first place. This is the premise of Edgar Wright's British comedy, which may be responsible for kicking off a new and specialized genre of slacker horror. Shaun (Simon Pegg) lives a supremely uneventful life, which revolves around his girlfriend (Kate Ashfield), his mother (Penelope Wilton), and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners. The finale, in which the pub turns into an Alamo, is the bloodiest, mos! t orthodox, and least witty part of the movie; far sharper are! the ear ly scenes in which Shaun wanders happily to the local store along a battered, zombie-dotted street and pulps his attackers with a cricket bat. The central joke is so snappy and well sustained that you barely catch sight of the ominous vision on offer: a country that already feels like death. -Anthony Lane
Copyright © 2006 The New YorkerBritish horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie ! movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some familar faces from The Office. --Bret Fetzer

The Best of Dudley Do-Right, Vol. 1

• DoRight always does right somehow! He's back! The only Mountie ever to arrest a redwood tree . for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his

Follow the hilarious exploits of the dedicated but hapless young Mountie as he struggles to outwit the evil Snidely Whiplash.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 6-JAN-2004
Media Type: DVDBrendan Fraser (George of the Jungle, The Mummy) brings his considerable charm to this awkward live-action version of the classic cartoon Dudley Do-Right. The first half of the movie lays out the basic elements of the cartoon (none-too-bright Canadian ! Mountie battles melodrama villain Snidely Whiplash with pluck and dumb luck) with little wit or imagination, but lots of pratfalls and broad gags. But about halfway into it, when Whiplash has taken over the town of Semi-Happy Falls and become its leading citizen, the movie takes a curious turn: Since Whiplash has become, to all appearances, a good guy, Dudley decides the only way to fight him is to turn into a bad guy. Next thing you know, Dudley is decked out in black leather and cruising around on a motorbike while Whiplash fumes impotently. Bullwinkle fans may decry this departure, but it gives the movie a much-needed burst of energy and the opportunity for some entertainingly surreal images--like Whiplash up to his neck in a mudbath with cucumber slices on his eyes, consulting with his henchmen about dealing with that unpredictable Do-Right. With Alfred Molina, Sarah Jessica Parker, and Monty Python's Eric Idle. --Bret FetzerDoRight always does righ! t somehow! He's back! The only Mountie ever to arrest a redwo! od tree ... for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his pathetic allergy in "Marigolds"! Each cartoon pits him against that nefarious ne'erdowell Snidely Whiplash! Wittily written and voiced, these timeless classics are a fond salute to oldtime melodrama and remain some of the funniest cartoons ever made.

I Can't Think Straight

• I CAN'T THINK STRAIGHT (DVD MOVIE)

Winner of the 2011 Sundance Film Festival Audience Award, CIRCUMSTANCE is a provocative coming-of-age story that cracks open the hidden, underground world of Iranian youth culture filled with sex, drugs and defiance. From newcomer Maryam Keshavarz, this suspenseful tale of love and defiance unfolds as a wealthy family struggles to contain their teenage daughter’s growing sexual rebellion and her brother’s dangerous obsession.In another place and time, the young women of Circumstance might have a bright future ahead of them, but in Tehran, they must pretend to be something they're not. Sixteen-year-old orphan Shireen (Sarah Kazemy) lives with her strict uncle, while Atafeh's loving parents have provided a comfortable home. Nonetheless, Atafeh's brother, Mehran (Reza Sixo Safai), has traded his classical music career for a crack habit. After a stint! in rehab, though, Mehran rejects Western art, embraces Islam, helps out at a mosque--and spies on his family. While he struggles to stay clean and secure a wife, Shireen and Atafeh (Nikohl Boosheri) sneak out to drink and dance to rock and hip-hop with a couple of like-minded male friends. It gradually emerges that the feelings between the girls go deeper than friendship, and the two even participate in a project to dub Gus Van Sant's Milk into Farsi in hopes that other Iranian youth will see the film and agitate for equal rights. After they get in trouble with the law, though, everything changes: Shireen's uncle pressures her to marry, and Atafeh finds her friend slipping away, so she comes up with a plan to solve all their problems at once. Filmed in Beirut, American-born writer-director Maryam Keshavarz's feature-film debut is pitched somewhere between My Son the Fanatic and No One Knows About Persian Cats. If less overtly political, she's equally s! ympathetic towards her protagonists and just as critical of th! e indivi duals and institutions that would stand in their way. --Kathleen C. FennessyJulia Jarmond (Kristin Scott Thomas), an American journalist married to a Frenchman, is commissioned to write an article about the notorious Vel d’Hiv round up, which took place in Paris, in 1942. She stumbles upon a family secret which will link her forever to the destiny of a young Jewish girl, Sarah. Julia learns that the apartment she and her husband Bertrand plan to move into was acquired by Bertrand’s family when its Jewish occupants were dispossessed and deported 60 years before. She resolves to find out what happened to the former occupants: Wladyslaw and Rywka Starzynski, parents of 10-year-old Sarah and four-year-old Michel. The more Julia discovers - especially about Sarah, the only member of the Starzynski family to survive - the more she uncovers about Bertrand’s family, about France and, finally, herself.

Sarah’s Key is based on the book by Tatiana d! e Rosnay.An intrepid journalist brings the past to life in this gripping drama. An American based in Paris, Julia Jarmond (Tell No One's Kristin Scott Thomas) has been working on a piece about a French atrocity while planning to move into an apartment that belongs to her husband Bertrand's family. During the course of her research, she finds that 10-year-old Sarah Starzynski (Mélusine Mayance, a sparky presence) lived in the same Marais flat until 1942 when French authorities wrenched Jewish citizens from their homes during the notorious Vél d'Hiver Roundup (Julia's daughter is only a year older). Unbeknownst to anyone but her parents, Sarah locked up her 4-year-old brother in a hidden closet in hopes of returning to set him free him later, but the trio ends up in a transit camp en route to Auschwitz. Sarah will eventually escape, but the years to come will not be easy. In adapting Tatiana de Rosnay's novel, director Gilles Paquet-Brenner, the son of a deportee, mo! ves back and forth between Sarah and Julia, who finds out she'! s pregna nt in the midst of trips to Florence and New York, but Bertrand doesn't share her joy. A French farmer (A Prophet's Niels Arestrup) and a food writer (Aidan Quinn) also figure into Sarah's story, which merges with Julia's as she finds a way to carry on her legacy. Much as in Julie and Julia, the past proves more compelling than the present, though Scott Thomas holds the narrative together with the force of her talent. --Kathleen C. FennessyWhile preparing for her wedding, Tala meets Leyla, a shy Muslim. Although they come from different worlds, the attraction is immediate and Tala must decide whether to stay true to her culture or to her heart. Starring Lisa Ray, Sheetal Sheth and Nina Wadia.

Matthew Barney: No Restraint

• From 1995 to 2002, avant-garde artist Matthew Barney wrote, directed, and starred in the Cremaster Cycle, five offbeat films featuring unusual situations and bizarre characters. Since 1987, he has also been working on the Drawing Restraint series, in which he uses physical weights and barriers to make the creation of his art more difficult--and more rewarding in the end. In 2005 he released DRAWIN

Documentary ) World renowned artist and filmmaker, Matthew Barney plowed the waters off the coast of Nagasaki to film his massive endeavor, DRAWING RESTRAINT 9. This documentary journeys with Barney and his collaborator Björk, as the visual artist creates a "narrative sculpture" telling a fantastical love story of two characters.

Four Film Favorites: Final Destination Collection (Final Destination / Final Destination 2 / Final Destination 3 / The Final Destination)

• FINAL DESTINATIONAfter an eerie premonition leads a handful of passengers to disembark an ill-fated flight, Death with all its ingenious contraptions of doom at the ready stalks those survivors (Devon Sawa, Ali Larter, Kerr Smith and more) one by one in the gory, gleeful shocker that launched the fright-filled film series. Final Destination: the start of it all! INCLUDES: Widescreen Version [16x9

This summer, fasten your seatbelts for the ultimate rollercoaster!! Packed with cutting-edge special effects, state-of-the-art gore and enough scares to send your heartbeat into overdrive, Final Destination 2 is a killer sequel to the smash-hit original.

DVD Features:
3D Animated Menus
Audio Commentary:with Director David Ellis, Producer Craig Perry and Screenwriters Eric Bress & J. Mackye Gruber
DVD ROM Features:Play Movie Script-to-screen Link to original web! site Screensaver, Wallpapers, "Chain Reaction" activity Exclusive content at infinifilm.com
Deleted Scenes
Documentaries:"The Terror Gauge" "Cheating Death: Beyond & Back" "Bits & Pieces: Bringing Death to Life"
Extended takes
Full Screen Version:and also Widescreen version on one disc
Other:DTS ES 6.1 Surround Sound Exclusive infinifilm fact track with exclusive material Trailers for the orginal Final Destination and upcoming Highwaymen Widescreen & Fullscreen on one disc
Theatrical Trailer

Final Destination 2 begins with a well-orchestrated multicar pileup on a freeway--a horrifying accident that turns out to be a premonition, as seen by a young woman (A.J. Cook) who saves herself and several other people by blocking a freeway on-ramp. Thus, as in the first Final Destination, a prescient vision disrupts the destined plans of death, and death goes to extreme lengths to correct matters. ! What makes Final Destination 2 entertaining is that th! e charac ters can only survive by learning to recognize the signs of impending doom--and the signs are basically the cinematic foreshadowing that moviemakers use to invoke suspense. This, combined with some elaborately complicated and gruesome deaths, fosters a ghoulish humor that's more entertaining than the smirky self-referentiality of Scream. Final Destination 2 doesn't aspire to be a great movie, but trash has its pleasures. Also featuring Ali Larter as the only survivor of the first movie. --Bret FetzerStudio: New Line Home Video Release Date: 08/30/2011 Run time: 93 minutesFinal Destination 2 begins with a well-orchestrated multicar pileup on a freeway--a horrifying accident that turns out to be a premonition, as seen by a young woman (A.J. Cook) who saves herself and several other people by blocking a freeway on-ramp. Thus, as in the first Final Destination, a prescient vision disrupts the destined plans of death, and death go! es to extreme lengths to correct matters. What makes Final Destination 2 entertaining is that the characters can only survive by learning to recognize the signs of impending doom--and the signs are basically the cinematic foreshadowing that moviemakers use to invoke suspense. This, combined with some elaborately complicated and gruesome deaths, fosters a ghoulish humor that's more entertaining than the smirky self-referentiality of Scream. Final Destination 2 doesn't aspire to be a great movie, but trash has its pleasures. Also featuring Ali Larter as the only survivor of the first movie. --Bret FetzerFinal Destination, Final Destination 2, Final Destination 3, and The Final Destination (2009) FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Writers/Editor Commentary • Cast Commentary • 5.1 Isolated Score Audio Track with Commentary by Composer Shirley Walker • Additional Scenes and Alternate Endings â€! ¢ 2 Featurettes: Test Screenings and Premonitions • 2 Games:! Death C lock and Psychic Test • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 2 INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Producer/Screenwriters Commentary • Deleted/Alternate Scenes • Selectable Fact Track with Intriguing Making-of Factoids â€" All As You Watch the Movie • 3 Featurettes The Terror Gauge, Cheating Death: Beyond and Back and Bits & Pieces: Bringing Death to Life • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 3 INCLUDES: • Widescreen Version [16x9 2.4:1] • Enjoy 2 Editions of the Film: Original Theatrical Movie and the Choose Their Fate! Version Where You Control the Characters’ Outcomes • Director/Writers/Cinematographer Commentary • Subtitles: English & Español (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). THE FINAL DESTINATION INCLUDES: • Widescreen Version [16x! 9 2.4:1] • Additional Scenes • Subtitles: English & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled).

Canterbury Of New Zealand Men's Zuni Half Button Sweater, Dark Navy, Medium

• Long Sleeve Lambswool sweater with unique elbow patch details
• Half zipper and button closure
• Cable knit detailing on side seams

The Autumn/Winter 2011 collection draws inspiration from vintage climbers, men who conquered mountains, It's a collection of rugged new classics, Washed and nuetral colors are punctuated by technical brights, The silohouettes are easy and comfortable without getting in your way, Details make subtle reference to climbing heirlooms, leather reinforcements, vintage plaids, corded trim, and hard-wearing broken twill fabrics, Canterbury of New Zealand clothing is designed to be timeless, garments that will surprise you with hidden details everytime you put them on, a wardrobe you will continue to fall in love with over time

Ty Beanie Baby Brittany, Alvin and the Chipmunks

• Official product from Ty?s wildly popular Beanie Babies Collection
• Look for the familiar heart-shaped tag that means you?ve purchased an authentic Ty product
• Handmade with the finest quality standards in the industry
• Requires no additional gift tag; inside allows you to insert ?TO? and ?FROM? information
• Collect them all

Chipmunk singing sensations Alvin, Simon and Theodore are back for an encore in this hilarious “squeakquel” packed with more action and more nutty fun for the whole family! When a concert mishap lands Dave in the hospital, the Chipmunks take a break from superstardom and enroll in school to fit in with kids their age. But they soon face some stiff competition when they meet the Chipettes â€" a beautiful, talented trio of chipmunks discovered by Ian, the boys’ evil ex-manager! Dave (Jason Lee) isn't exactly the typical father figure with a! n average family, but he cares deeply about his adoptive chipmunks Alvin (Justin Long), Theodore (Jesse McCartney), and Simon (Matthew Gray Gubler). While the performing life presents its own unique challenges, Dave always does his best to instill a sense of compassion and familial love into his young charges. When Alvin begins to get a little too caught up in his own stardom, Dave reminds him to share the spotlight with his fellow chipmunks, but Alvin gets carried away and ends up inadvertently injuring Dave on location in Paris. Aunt Jackie (Kathryn Joosten) steps in to look after the Chipmunks, but when her wheelchair rolls down a flight of stairs, only her irresponsible grandson Toby (Zachary Levi) is left to watch over the boys. An unemployed video gamer who lives with Jackie, Toby is completely unprepared for the responsibility of caring for the Chipmunks, but he agrees nonetheless. Starting school is not easy for the Chipmunks, and they are the target of bullying fro! m their very first day. But Alvin eventually works his way in ! with the popular crowd, leaving Theodore and Simon to fend for themselves with little support from Toby. The school principal (Wendie Malick) is one of the Chipmunks' biggest fans, and when the school's music department is about to be shut down due to lack of funds, she decides to enter them in a competition that will save the music program. Enter the Chipettes--female chipmunks Brittany (Christina Applegate), Eleanor (Amy Poehler), and Jeanette (Anna Faris), who are seeking their own chance for singing stardom--and the Chipmunks' dishonest ex-agent, Ian (David Cross), and the stage is set for some serious backstabbing competition. Craziness reigns as the two groups wage a musical war against one another, but in the end it all comes down to a question of what's more important--stardom or friendship. As in the first Alvin and the Chipmunks movie, the music is strangely appealing despite being performed mostly in falsetto, the characters are cute, the action is comical, and the! life lessons ring true. (Ages 6 and older with parental guidance due to some mild rude humor) --Tami HoriuchiBrittany is a cute little chipmunk that is part of the Chipettes. Alvin loves her and you will too! Collect all of the chipmunks! Ages 3+ 8" tall

District B13

• In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb. Format: DVD MOVIE Genre: FOREIGN Rating: NR Age: 876964000208 UPC: 876964000208 Manufacturer No: 10020

In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb.For eye-popping kinetic thrills, District B13 tops the class. In the near future, the worst ghettos of Paris have been walled in and left to rot. When a neutron bomb gets stolen by a criminal kingpin in seedy District B13, Damien--a cop who specializes in deep cover assignments (Cyril Raffaelli, a stuntman turned actor)--has to team up with Leito (David Belle), who grew up in the district and has his own reason for going back: the kingpin kidnapped his sister (tough yet adorable! gamine Dany Verissimo). The plot takes a few preposterous turns, but it's beside the point--every turn serves only to maintain the relentless flow of sheer physical prowess. Belle is one of the inventors of a sport called parkour, which treats a city's architecture like an obstacle course; while running from gun-toting thugs, Leito leaps, bounds, and scrambles up and down buildings with astonishing grace. The fight sequences are just as down-to-earth yet over-the-top as Damien whirls, kicks, and crunches through armies of bad guys. Just as important is the tongue-in-cheek tone that never turns smirky; the movie doesn't take itself seriously, but doesn't mock itself or its basic cinematic pleasures. Anyone looking for a break from the overbearing CGI and self-important pomp of Hollywood action movies should watch District B13. --Bret Fetzer

Austin Powers Collection (International Man of Mystery / The Spy Who Shagged Me / Goldmember) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Color; Dolby; Special Edition; Subtitled; Widescreen

Austin Powers-International Man of Mystery Name: Austin Danger Powers. Sex: Yes, please! Combine the swinging '60s, spy movies, talented Mike Myers in dual roles and one hilariously well- placed champagne bottle and you get Austin Powers: International Man of Mystery. Say "Yeah, baby!" for laughs as Flower Power-era superspy Austin (Myers) is thawed from a 30-year cryogenic freeze to stop the world-dominating scheme of bald baddie Dr. Evil (also Myers). Elizabeth Hurley, shagadelic style and Austin's randy attempts to find '60s-style free love in a very different, uptight time add to the groovy fun of this mad, mod, Myers world.

Austin Powers: The Spy Who Shagged Me He's back--back in the 1960s. Secret agent Austin Powers (Mike Myers) hops in a top-secret time machine and z! ips 30 years back to 1969 to confront Dr. Evil (Myers) and his latest, vilest scheme. Evil is eviler â€" he has a diminutive clone Mini-Me (Verne J. Troyer) and massive Fat Bastard (Myers) as a henchmen. Austin, who "put the grrr in swinger, baby," is swingier…if he and fab spy chick Felicity Shagwell (Heather Graham) can recover the mojo Evil stole from Austin.

Austin Powers in Goldmember The mission for Austin (Mike Myers): Shake booty into the glittery roller-disco days of 1975 and rescue his suave spy dad (Michael Caine) from the scheme of â€" Shh! â€" Dr. Evil (Myers). The minions: freaky-flakey Goldmember, Fat Bastard (both played by Myers) and Mini Me (Verne Troyer). The minx: Austin's sassy ex-squeeze Foxxy Cleopatra (Beyoncé Knowles). The result: a three-for-all of grooviness that whisks from the 2000s to the 1970s and back to the 2000s â€" the screamingly funny third Austin Powers!

Godzilla Japanese 6" Vinyl Figure Final Wars 1954 Godzilla Re-Paint

• bandai, godzilla, kaiju, monster
• godzilla toy, godzilla figure
• ultraman kaiju, ultra monster
• kaiju toy

Ishiro Honda’s Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama made in Japan at a time when the country was still reeling from nuclear attack and H-bomb testing. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning more than twenty sequels and spinoffs. This first thrilling, tactile spectacle continues to be a cult phenomenon; here, we present the original, 1954 Japanese version, along with Godzilla: King of the Monsters!, the 1956 American reworking starring Raymond Burr (Rear Window).This item is NOT A TOY. It is a replica product for ADULT COLLECTORS only and does not necessarily co! mply with Toy Safety Regulations.

Fay Grim

• Fay Grim (Parker Posey) is afraid her son Ned (Liam Aiken) will turn out like his father, Henry, who has been a fugitive for seven years. Fay s brother, Simon, is serving a prison sentence for helping Henry escape the country. Adding to her trials, Fay is approached by a CIA agent (Jeff Goldblum) to help find Henry s missing notebooks in exchange for Simon s freedom. The mission escalates into a g

HENRY FOOL - DVD MovieSimon (James Urbaniak), a shy garbage man, lives with his sister (Parker Posey of Party Girl and Waiting for Guffman, among dozens of other movies) and mother, who both treat him with minimal respect. Into Simon's life comes Henry Fool (Thomas Jay Ryan), a heavy-drinking self-proclaimed great writer who goads Simon into writing an enormous poem. The poem becomes the source of great controversy, proclaimed by some as a great work of art, denounced by others as pe! rverse trash. As Simon's star rises, he tries to draw attention to Henry's work as well, to little avail. Though the premise seems simple, Henry Fool takes on something of an epic sweep as it follows the effects of fame on Simon's and Henry's lives. This rumination on art and inspiration was hailed by some critics as the best film yet by writer-director Hal Hartley (Trust, Simple Men, Amateur), while others felt it brought out his worst self-indulgences. All of Hartley's movies defy easy interpretation, and Henry Fool is no exception. Still, it's a rare film that even tries to tackle such subjects, let alone does so with a combination of intelligence and humor (ranging from verbal quirkiness to scatological embarrassment). Hartley's films, surprisingly enough, feel warmer and more accessible on video; perhaps watching them in one's home makes them seem more intimate and less abstract. --Bret FetzerFAY GRIM - DVD MovieFay Grim is Hal Hartley's version of the espionage thriller. Conseq! uently, it's more peculiar than pulse-pounding, but that's what makes his films appealing--to those who appreciate their off-kilter rhythms, that is. In Hartley's world, dialogue is often delivered with a straight face, no matter how funny the line or farcical the situation. In Fay Grim, he picks up seven years after Henry Fool left off, but this time the writer/director shifts focus from novelist Henry (Thomas Jay Ryan) to his seemingly scattered wife, Fay (Parker Posey). Their son, Ned (Liam Aiken), is now in his teens, but Henry remains at large, and Fay's "garbage man poet" brother, Simon (James Urbaniak), remains in prison for aiding in his escape. Then two CIA operatives, Fulbright (Jeff Goldblum) and Fogg (Leo Fitzpatrick), inform her that Henry is dead, so Fay agrees to track down his complete set of diaries in exchange for Simon's freedom. Apparently, Henry's incoherent ramblings contain state secrets. Joining forces with stewardess Bebe (Elina Löwensohn), Fa! y travels from Queens to Paris to Istanbul to fulfill her mission. In the end, Fay Grim resembles Hartley's noir parody Amateur, which featured Löwensohn, more than Henry Fool. It has less to say about talent and celebrity and more about mystery and intrigue. For the filmmaker, it also represents an opportunity to reunite a strong ensemble and to recover, at least for the time being, from a string of disappointments, like No Such Thing and The Girl From Monday. --Kathleen C. Fennessy

Bonnie and Clyde (Blu-ray Book Packaging)

• Depression-era drifters Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) embark on a life of crime. They crave adventure and each other. We were unprepared us for the cascading violence that would follow; we learn they can be hurt and dread they can be killed. The vivid title-role performances get superb support from Michael J. Pollard, Gene Hackman and Estelle Parsons, 1967 Best Supp

Warren Beatty and Faye Dunaway are the legendary Depression-era bandits and lovers in this landmark film that won two Academy Awards and triggered a revolution in screen violence. Year: 1967.

High Def Exclusive: 34-page hardcover book that includes a detailed production history, star/director filmographies and rare archival behind the scenes photos.One of the landmark films of the 1960s, Bonnie and Clyde changed the course of American cinema. Setting a milestone for screen violence tha! t paved the way for Sam Peckinpah's The Wild Bunch, this exercise in mythologized biography should not be labeled as a bloodbath; as critic Pauline Kael wrote in her rave review, "it's the absence of sadism that throws the audience off balance." The film is more of a poetic ode to the Great Depression, starring the dream team of Warren Beatty and Faye Dunaway as the titular antiheroes, who barrel across the South and Midwest robbing banks with Clyde's brother Buck (Gene Hackman), Buck's frantic wife Blanche (Estelle Parsons), and their faithful accomplice C.W. Moss (the inimitable Michael J. Pollard). Bonnie and Clyde is an unforgettable classic that has lost none of its power since the 1967 release. --Jeff ShannonOne of the landmark films of the 1960s, Bonnie and Clyde changed the course of American cinema. Setting a milestone for screen violence that paved the way for Sam Peckinpah's The Wild Bunch, this exercise in mythologized biograph! y should not be labeled as a bloodbath; as critic Pauline Kael! wrote i n her rave review, "it's the absence of sadism that throws the audience off balance." The film is more of a poetic ode to the Great Depression, starring the dream team of Warren Beatty and Faye Dunaway as the titular antiheroes, who barrel across the South and Midwest robbing banks with Clyde's brother Buck (Gene Hackman), Buck's frantic wife Blanche (Estelle Parsons), and their faithful accomplice C.W. Moss (the inimitable Michael J. Pollard). Bonnie and Clyde is an unforgettable classic that has lost none of its power since the 1967 release. --Jeff Shannon

Man Woman & Child

• Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematograp

No children. No future. No hope. In the year 2027, eighteen years since the last baby was born, disillusioned Theo (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover (Julianne Moore) to escort a young pregnant woman out of the country as quickly as possible. In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Co-starring Michael Caine, filmmaker Alfonso Cuarón’s Children of Men is t! he powerful film Pete Hammond of Maxim calls “magnificent … a unique and totally original vision.”Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to ! discover a cure for global infertility. As they carefully navi! gate bet ween the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonSet in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Featur! e Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cu! re for global infertility. As they carefully navigate between ! the batt ling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonSet in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Feature Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global inf! ertility. As they carefully navigate between the battling forc! es of mi litary police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonUniversal Pictures Children of Men (Combo HD DVD and Standard DVD) In 2027 as humankind faces the likelihood of its own extinction a disillusioned government agent agrees to help transport and protect a miraculously pregnant woman to a sanctuary at sea where he! r childs birth may help scientists to save the future of mankind.Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. A! s they carefully navigate between the battling forces of milit! ary poli ce and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonTold with P. D. James’s trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future.

The human race has become infertile, and the last generation to be born is n! ow adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematography of Richard H. Kline (Body Heat, King Kong), Man,! Woman and Child is a beautiful film of love and forgivene! ss with exceptional performances and skillful direction.

Get Him to the Greek (2-Disc Unrated Collector's Edition) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Collector's Edition; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Academy Award winner Robert Duvall (1983, Best Actor, Tender Mercies) is Felix Bush, the “Hermit of Caleb County,” a man so haunted by his secrets that he has lived in quiet desolation in the Tennessee backwoods for over 40 years. Realizing that he is near his own mortality, Bush decides to have a “living funeral party,” inviting people to tell their stories about him. Enlisting the help of Frank Quinn (Golden Globe winner Bill Murray, 2004, Best Actor in a Motion Picture - Musical or Comedy, Lost in Translation) and Buddy Robinson (Lucas Black, Legion), Bush goes through a process of self-discovery, allowing him to deal with his past secrets, including ones involving old flame (and new widow) Mattie (Academy Award winner Sissy Spacek, 1980, ! Best Actress, Coal Miner's Daughter). Comedies about death aren't exactly a novel proposition, but Get Low, which draws from a real 1930s incident, leaves the gallows humor behind for a lighter touch. After losing the love of his life 40 year before, Felix Bush (Robert Duvall) has lived like a hermit ever since. With death on the horizon and guilt weighing him down, the "crazy ol' nutter" decides to go out with a party. As he tells funeral director Frank Quinn (Bill Murray in top form), "Time for me to get low." Frank and his assistant, Buddy (Duvall's Sling Blade costar Lucas Black), find the request bizarre--since Felix plans to attend--but they can't afford to turn him down. Quips Quinn, "One thing about Chicago, people know how to die. People are dying in bunches, but not around here." So, they fit Felix for a suit, post invitations up around Caleb County, and set up a land raffle to encourage everyone to show. Before he leaves this mortal coil, Fe! lix longs to hear the tall tales the town folk have been sprea! ding abo ut him. While preparing for the big day, he reconnects with Charlie (Bill Cobbs), a preacher, and Mattie (Sissy Spacek), an old flame who returned to the county after her husband's death. Their encounters, which have a gentle sweetness, encourage Felix to share the truth he's kept bottled up inside for decades. After that big buildup, his confession feels a little anticlimactic, but cinematographer-turned-director Aaron Schneider's affection for his characters always shines through. --Kathleen C. FennessyAcademy Award winner Robert Duvall (1983, Best Actor, Tender Mercies) is Felix Bush, the “Hermit of Caleb County,” a man so haunted by his secrets that he has lived in quiet desolation in the Tennessee backwoods for over 40 years. Realizing that he is near his own mortality, Bush decides to have a “living funeral party,” inviting people to tell their stories about him. Enlisting the help of Frank Quinn (Golden Globe winner Bill Murray, 2004, Best Actor ! in a Motion Picture - Musical or Comedy, Lost in Translation) and Buddy Robinson (Lucas Black, Legion), Bush goes through a process of self-discovery, allowing him to deal with his past secrets, including ones involving old flame (and new widow) Mattie (Academy Award® winner Sissy Spacek, 1980, Best Actress, Coal Miner's Daughter).Comedies about death aren't exactly a novel proposition, but Get Low, which draws from a real 1930s incident, leaves the gallows humor behind for a lighter touch. After losing the love of his life 40 year before, Felix Bush (Robert Duvall) has lived like a hermit ever since. With death on the horizon and guilt weighing him down, the "crazy ol' nutter" decides to go out with a party. As he tells funeral director Frank Quinn (Bill Murray in top form), "Time for me to get low." Frank and his assistant, Buddy (Duvall's Sling Blade costar Lucas Black), find the request bizarre--since Felix plans to attend--but! they can't afford to turn him down. Quips Quinn, "One thing a! bout Chi cago, people know how to die. People are dying in bunches, but not around here." So, they fit Felix for a suit, post invitations up around Caleb County, and set up a land raffle to encourage everyone to show. Before he leaves this mortal coil, Felix longs to hear the tall tales the town folk have been spreading about him. While preparing for the big day, he reconnects with Charlie (Bill Cobbs), a preacher, and Mattie (Sissy Spacek), an old flame who returned to the county after her husband's death. Their encounters, which have a gentle sweetness, encourage Felix to share the truth he's kept bottled up inside for decades. After that big buildup, his confession feels a little anticlimactic, but cinematographer-turned-director Aaron Schneider's affection for his characters always shines through. --Kathleen C. FennessyTrue Grit is a powerful story of vengeance and valor set in an unforgiving and unpredictable frontier where justice is simple and mercy is rare. Mattie Ross! (Hailee Steinfeld), is determined to avenge her father's blood by capturing Tom Chaney (Josh Brolin), the man who shot and killed him for two pieces of gold. Just fourteen, she enlists the help of Rooster Cogburn (Academy Award® Winner Jeff Bridges), a one-eyed, trigger-happy U.S. Marshall with an affinity for drinking and hardened Texas Ranger LaBoeuf (Academy Award® Winner Matt Damon) to track the fleeing Chaney. Despite their differences, their ruthless determination leads them on a perilous adventure that can only have one outcome: retribution. A 14-year-old girl needs a man with "true grit" to help her bring in the fugitive who killed her father. That she settles on Rooster Cogburn--a one-eyed, booze-soaked, potbellied U.S. marshal on the downward curve of his career in law enforcement--is the glorious springboard for all versions of True Grit: the Charles Portis novel, the 1969 western that won an Oscar for John Wayne, and the 2010 Coen brothers adaptation. ! The Coens have some mighty shoes to fill in their version, and! their c hoice for the eye-patch is Jeff Bridges, who growls his way through an understated take on Rooster. Matt Damon plays LaBoeuf, the Texas Ranger who joins the hunt; Josh Brolin is the scurvy killer; and Barry Pepper is the leader of the outlaw gang. Working as usual with cinematographer Roger Deakins, the Coens exhibit their clear, crisp view of western places, thrillingly creating new takes on recognizable vistas such as the frontier town, the snowy forest, and the isolated cabin at night. The Coens revel in the incredibly ornate dialogue, which allows their sardonic attitude to bleed into the material--young actress Hailee Steinfeld doesn't seem at all fazed by the language, which may be a key reason she got the job as heroine Mattie Ross. While True Grit doesn't have the heft of the best films in the Coens' arsenal (there's something very formal and even a wee bit academic about their stroll through this familiar text), they do create a pleasant sense of a good yarn,! retold around the campfire for the umpteenth time. --Robert HortonJoin the ShapelyGirl Revolution with Let s Get Moving! Let s Get Moving for ShapelyGirls is highly effective in burning calories and toning your body. This is a Beginner/Intermediate workout including warm up, cardio, and cool down exercises, a bonus floorwork track and a special feature, Debra Mazda s Circle Time when the ShapelyGirl team talks about working out as healthy, plus-size women. No matter what size you are - even if you've never worked out before - start moving, breathing & feeling great with Debra Mazda. Debra is living proof that you do not have to be a size 2 to be fit and fabulous. At 315 pounds, Debra decided that diets were not the answer and discovered that exercise can transform your body and your life. Debra and her ShapelyGirl team will work out right along with you and teach you to embrace your curves while getting fit and healthy. Together we can do this! Debra Mazda, M. Ed. i! s an Exercise Physiologist and Wellness Coach with over 2 deca! des in t he fitness industry and she is the #1 leader of the plus-size fitness revolution.Studio: Uni Dist Corp. (mca) Release Date: 09/28/2010 Run time: 121 minutes Rating: RThe man who put the rock in raucous, Aldous Snow, returns to new levels of debauchery in Get Him to the Greek, something of a spinoff of the character's first appearance in Forgetting Sarah Marshall. As played by the equally naughty Russell Brand, Aldous has fallen off the wagon and is more obnoxious than ever, a condition that will make Aaron Green's job more difficult. Poor Aaron (Jonah Hill) is the goggle-eyed record-company stooge whose job it is to transport Aldous from London to Los Angeles in the course of 72 vodka-saturated hours--specifically to the Greek Theatre, where Aldous is supposed to revive his stumbling career with a comeback show. Now, given Russell Brand's raggedy hilarity in Sarah Marshall, this movie should be a slam dunk, as it imports that film's director (Nicholas! Stoller), the "produced by Judd Apatow" imprimatur, and Jonah Hill in his deadpan stride. (Hill's character isn't related to his Sarah Marshall role, by the way.) And yet Get Him to the Greek summons up only sporadic laughs and commits the comedy crime of trying to explain Aldous's bad behavior, instead of simply letting his freak flag gloriously fly. So we are treated to the spectacle of Aldous's father (Colm Meaney, nice casting), who never loved his son enough, and Aldous's ex (Rose Byrne), who appears a little too inclined to spread the love around. Meanwhile, the comic situations that do arise are divorced from plausibility, whether it's the logistics of how a program like The Today Show works or the likelihood of a three-way involving Aaron's girlfriend (Elisabeth Moss, from Mad Men). One surprise: as Aaron's hard-driving boss, Sean "Don't call me Puff Daddy" Combs is thoroughly amusing. Rushed and choppy by comparison to other comedies fr! om the Apatow mill, Get Him to the Greek feels like the! sophomo re slump for Aldous Snow--and possibly the swan song. --Robert Horton

Hairspray: Deluxe Edition

• In 1962 Baltimore, chunky Tracy Turnblad (Nikki Blonsky) dreams big: land a gig on the see-and-be-seen TV teen-scene hit The Corny Collins Show, win the heart of the nicest and cutest boy in school (Zac Efron), and strike a blow for civil rights. And whaddaya know it all comes true! Boppin with all the joy of the long-running, award-winning Broadway musical smash and blazing with sublime star powe

In 1962 Baltimore, chunky Tracy Turnblad (Nikki Blonsky) dreams big: land a gig on the see-and-be-seen TV teen-scene hit The Corny Collins Show, win the heart of the nicest and cutest boy in school (Zac Efron), and strike a blow for civil rights. And whaddaya know â€" it all comes true! Boppin’ with all the joy of the long-running, award-winning Broadway musical smash and blazing with sublime star power (including John Travolta and Christopher Walken as Tracy’s devoted, dance-happy mom and dad),! “Hairspray earns knockout status for its humor, heart and high spirits. …a plus-size bundle of fun” (Peter Travers, Rolling Stone).

SPECIAL FEATURES:
2 Commentaries:
• Director Adam Shankman and Co-Star Nikki Blonsky
• Producers Craig Zadan and Neil Meron
5 Fabulous Featurettes:
• Inside the Recording Booth
• It’s Hairspray
• Playing Tracy
• Transform Travolta to Turnblad
• Search for Tracy
Subtitles: English & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled)

While Supplies Last:
• CD sampler featuring 5 songs from the original soundtrackIt's rare that a movie captures the intensity and excitement of a live Broadway musical production while appealing to a broader movie-going audience, but the 2007 Hairspray is an energetic, powerfully moving f! ilm that does just that. A remake of the 1988 musical film Hairspr ay, the new Hairspray is a film adaptation of the 2002 Broadway musical and features more likeable characters than the original film and an incredible energy that stems from a great cast, fabulous new music, and the influence of musical producer Craig Zadan. What remains constant throughout all three versions of Hairspray is the story's thought-provoking exploration of prejudice and racism. Set in Baltimore in 1962, the film opens with chubby girl Tracy Turnblad (Nikki Blonsky) singing her heart out in a rendition of "Good Morning Baltimore" that, while admittedly a bit too long, sets the farcical tone for the film. Viewers quickly become immersed in Tracy's teenage world of popular television dance shows, big hair, the stigma of being different, and the first hesitant steps toward racial integration within a segregated world. The Corny Collins (James Marsden) television dance show is a teenage obsession in Tracy's world and Link Larkin (Zac Efron) is ! every girl's dream partner, so when a call for auditions goes out, Tracy skips school to try out, but is rejected by station manager Velma von Tussle (Michelle Pfeiffer) because of her large size and the threat of competition for Velma's own daughter Amber (Brittany Snow). Perseverance and the support of her friend Penny (Amanda Bynes), father Wilbur (Christopher Walken), and negro dancer Seaweed (Elijah Kelley) lead Tracy to the spotlight and the chance of a lifetime, but more and more Tracy discovers that fairness and equality for those who are different does not come without a fight and that sacrifices must be made to effect change. While the message is serious, Hairspray is first and foremost a comedy with stellar performances by John Travolta as Edna Turnblad (who ever imagined Saturday Night Fever's iconic star would appear onscreen as a woman?), Christopher Walken, and Michelle Pfeiffer. Part of what makes Hairspray so powerful is the exceptio! nal music composed by Marc Shaiman, including songs newly comp! osed for the movie like "Ladies' Choice," "The New Girl in Town," and "Come So Far," and the awesome vocal talents of Queen Latifah (Motormouth Maybelle) and a cast of heretofore musically-unknown actors like Nikki Blonsky, Zac Efron, and Brittany Snow who really can sing. Notable trivia includes Jerry Stiller's appearance in both versions of the film (as Wilbur in the 1988 film and as Mr. Pinky in this 2007 rendition), and a cameo appearance by 1988 director and screenplay writer John Waters. Hairspray is one of the best films of the year--it's powerfully moving entertainment that leaves you energized and motivated to fight for what you believe in. --Tami Horiuchi

Ghosts of Cité Soleil 20x26 Framed and Double Matted Movie Poster - A

• High quality framed art print
• Wood Frame with Double Matting
• Top Quality Crescent Matboard used for Double Matting
• Custom packed for safe delivery
• Satisfaction Guaranteed

An epic portrait of a family and a culture torn apart by poverty and violence, GHOSTS OF CITE SOLEIL is a powerful and unsettling documentary that takes us inside the lives of the notorious gang leaders who dominate the Haitian slum of Cite Soleil, one of the most desperate communities in the Western hemisphere. Set to a score by Wyclef Jean, who also executive produced the film and serves as an inspiration to the young men of Haiti, the film follows two of the gang leaders, who happen to be brothers, and are also aspiring rappers. The foot soldiers of these gang leaders are known as chimeres ("ghosts") and it was those ghosts whom former President Jean-Bertrand Aristide is said to have employ! ed to silence his opponents. Filmed in the months leading up to Aristide's overthrow in 2004, the film captures the smoldering tensions between the two rival gang leaders, and their love for the same woman, set in a city the United Nations has declared the most dangerous place on Earth.

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Bio-Dome Habitat with Triops

• Set includes rainforest chamber, aquarium, bug chamber, Ant Hill, 2 interconnecting tubes, a bug catcher, sticker sheet and detailed instructions.
• Ages 8 and up.

They're weird, they're wild and they're going totally environmental! Two deadbeat dudes are about to trade beer and pizza for soymilk and tofu in this outrageously funny comedy from the producers of Dumb and Dumber. Before Earth Day 1996, the closest Bud (Pauly Shore) and Doyle (Stephen Baldwin) had ever come to a garbage dump was the floor of their apartment! So when their ecology-conscious girlfriends ask them to stop wasting time and start cleaning waste, the dimwitted duo makes it clear that they'd rather talk trash than pick it up. But their world suddenly changes when they're accidentally trapped inside Bio-Dome a year long scientific ecological experiment with no fast food or cable television! Will Bud and Doyle adapt! to their new found habitat or will their very presence spell extinction for themselves, the project and perhaps the entire planet?!Disc 1: Bio Dome Disc 2: P.C.U. Disc 3: Back to SchoolThey're weird, they're wild and they're going totally environmental! Two deadbeat dudes are about to trade beer and pizza for soymilk and tofu in this outrageously funny comedy from the producers of Dumb and Dumber. Before Earth Day 1996, the closest Bud (Pauly Shore) and Doyle (Stephen Baldwin) had ever come to a garbage dump was the floor of their apartment! So when their ecology-conscious girlfriends ask them to stop wasting time and start cleaning waste, the dimwitted duo makes it clear that they'd rather talk trash than pick it up. But their world suddenly changes when they're accidentally trapped inside Bio-Dome a year long scientific ecological experiment with no fast food or cable television! Will Bud and Doyle adapt to their new found habitat or will their very presence spell extin! ction for themselves, the project and perhaps the entire plane! t?!Child ren will see how living things interact with their environment as they build four cool nature habitats: an anthill for ants, a rainforest chamber for frogs, an aquarium for fish and triops, and a bug chamber for insects. Theyll learn about nature and science as they watch and grow triops (one of the oldest living specimens on Earth!), gather insects with the bug catcher, and manage their habitats. Includes triops, food, rainforest chamber, aquarium, bug chamber, ?ant hill, two interconnecting tubes, bug catcher, sticker sheets, 35 x 23 color poster, and detailed instructions.

Aliens in the Attic [Blu-ray]

• Features include: -MPAA Rating: PG -Format: Blu-Ray-Runtime: 86 minutes

It’s summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world -- but the toughest part might be keeping the whole thing a secret from their parents! Featuring an all-star cast including Ashley Tisdale, Andy Richter, Kevin Nealon and Tim Meadows, Aliens In The Attic is the most fun you can have on this planet!

Specs:		Audio: English: 5.1 Dolby Digital / Spanish & French: Dolby Surround Language: Dubbed & Subtitled: English, French & Spanish Theatrical Aspect Ratio: Widescreen: 1.85:1
Episodes-Bonus Features:		**Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice Age 3, Night At The Museum 2, Post Grad, Family Catalog Trailer **Introduction to Film with Ashley Tisdale **The Ashley Encounters **Deleted Scenes **Gag Reel **Behind the Zirkonians **Meet The Zirkonians **Trailer Farm: Delgo, Fame, Strawberry Shortcake: Sky's The Limit

Video game meets movie in this wacky sc! ience-fiction action film. When aliens from space invade the a! ttic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and si! blings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an al! ternate ending, three deleted scenes, a 5-minute gag reel, an ! interact ive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

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It’s summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world -- but the toughest part might be keeping the whole thing a secret from their parents! Featuring an all-star cast including Ashley Tisdale, Andy Richter, Kevin Nealon and Tim Meadows, Aliens In The Attic is the most fun you can have on this planet!

Specs:		Audio: English: 5.1 DTS HD Master Audio / Spanish & French: 5.1 Dolby Digital Language: Dubbed & Subtitled: English, French & Spanish Theatrical Aspect Ratio: Widescreen: 1.85:1
Episodes-Bonus Features:		Disc 1: Widescreen Theatrical Feature Film **Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice Age 3, Night At The Museum 2, Post Grad, Fame **Introduction to Film with Ashley Tisdale **The Ashley Encounters **Alternate Ending **Deleted Scenes **Gag Reel **Behind the Zirkonians **Meet the Zirkonians **Lights, Camera, Aliens! **Kung Fu Grandma **Brian Ant! hony "Electricity" Music Video **Fox Movie Channel Presents Life After Film School with Barry Josephson Disc 2: Digital Copy

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination,! things begin to get interesting. Armed with mind-control tech! nology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plo! t is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

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