Bio-Dome Habitat with Triops
- Set includes rainforest chamber, aquarium, bug chamber, Ant Hill, 2 interconnecting tubes, a bug catcher, sticker sheet and detailed instructions.
- Ages 8 and up.
| Specs: | Audio: English: 5.1 Dolby Digital / Spanish & French: Dolby Surround Language: Dubbed & Subtitled: English, French & Spanish Theatrical Aspect Ratio: Widescreen: 1.85:1 | |
| Episodes-Bonus Features: | **Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice Age 3, Night At The Museum 2, Post Grad, Family Catalog Trailer **Introduction to Film with Ashley Tisdale **The Ashley Encounters **Deleted Scenes **Gag Reel **Behind the Zirkonians **Meet The Zirkonians **Trailer Farm: Delgo, Fame, Strawberry Shortcake: Sky's The Limit | |
Stills from Aliens in the Attic (Click for larger image)
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| Specs: | Audio: English: 5.1 DTS HD Master Audio / Spanish & French: 5.1 Dolby Digital Language: Dubbed & Subtitled: English, French & Spanish Theatrical Aspect Ratio: Widescreen: 1.85:1 | |
| Episodes-Bonus Features: | Disc 1: Widescreen Theatrical Feature Film **Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice Age 3, Night At The Museum 2, Post Grad, Fame **Introduction to Film with Ashley Tisdale **The Ashley Encounters **Alternate Ending **Deleted Scenes **Gag Reel **Behind the Zirkonians **Meet the Zirkonians **Lights, Camera, Aliens! **Kung Fu Grandma **Brian Ant! hony "Electricity" Music Video **Fox Movie Channel Presents Life After Film School with Barry Josephson Disc 2: Digital Copy | |
Stills from Aliens in the Attic (Click for larger image)
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In reality, Callas became a recluse in her luxurious Paris apartment, mourning the loss of her voice, the breakup of her relationship to Aristotle Onassis and the disintegration of her career. Her final days were a nightmare. But Zeffirelli uses his! imagination to rewrite that unhappy ending. He invents a rock producer, Tom Kelly (Jeremy Irons) who clearly is a Zeffirelli figure (the names rhyme). Kelly used to be her manager and has a scheme to revive her career in movies: he will film her greatest roles, using her recordings as soundtracks; she will go through the motions and lip-synch the words. It might have worked; experiments with Carmen, which she recorded but never sang onstage, were certainly promising. But Callas turned down the plan, on grounds of artistic integrity.
But in fact, Zeffirelli does make it work in this movie. Fanny Ardant does a marvelous job as Callas, not only shaping the words of her various arias (digitized and sounding better than ever) but also using facial expressions that speak as eloquently as words. Here is Callas reborn, with all her temperament, anguish and pride. Raw emotions are unleashed, particularly in a production of Tosca, when she stabs the villainous Sc! arpia (Justino Diaz) shouting savagely "muori dannato, muori, ! muori, m uori" ("die , damn you, die, die die") She is avenging all the insults and disappointments of her life; Ardant becomes Callas in such moments. --Joe McLellanInternationally acclaimed director Franco Zeffirelli (Romeo and Juliet, Hamlet) beautifully recreates the magic, passion and artistry of the opera diva Maria Callas, known as "the voice of the century." In this loving tribute to his longtime friend, Zeffirelli imagines what could have happened at the end of Callas' life close to her death at the age of 53. Popular French actress Fanny Ardant perfectly fits the role of the temperamental diva, capturing all the fiery intensity of the legend on and off the stage. Oscar-winner Jeremy Irons shines as the diva's former manager who persuades her to re-launch her career, despite her fading powers. A unique, rare gem of a film featuring actual sound recordings of Callas in performance, CALLAS FOREVER makes a lasting impact as a stunning human portrayal of one of the gre! atest artists of our time.Franco Zeffirelli was and is clearly in love with Maria Callas, but unlike the average Callas fan, as a movie director, he was able to do something about it. This superbly made film, about the last few months of the great soprano's life in 1977, moves easily between fact and fantasy to express that love and to give her a more upbeat ending than the one that fate actually dealt her. It is made with the attention to small details that is a hallmark of Zeffirelli's work.
In reality, Callas became a recluse in her luxurious Paris apartment, mourning the loss of her voice, the breakup of her relationship to Aristotle Onassis and the disintegration of her career. Her final days were a nightmare. But Zeffirelli uses his imagination to rewrite that unhappy ending. He invents a rock producer, Tom Kelly (Jeremy Irons) who clearly is a Zeffirelli figure (the names rhyme). Kelly used to be her manager and has a scheme to revive her career in movies: he w! ill film her greatest roles, using her recordings as soundtrac! ks; she will go through the motions and lip-synch the words. It might have worked; experiments with Carmen, which she recorded but never sang onstage, were certainly promising. But Callas turned down the plan, on grounds of artistic integrity.
But in fact, Zeffirelli does make it work in this movie. Fanny Ardant does a marvelous job as Callas, not only shaping the words of her various arias (digitized and sounding better than ever) but also using facial expressions that speak as eloquently as words. Here is Callas reborn, with all her temperament, anguish and pride. Raw emotions are unleashed, particularly in a production of Tosca, when she stabs the villainous Scarpia (Justino Diaz) shouting savagely "muori dannato, muori, muori, muori" ("die , damn you, die, die die") She is avenging all the insults and disappointments of her life; Ardant becomes Callas in such moments. --Joe McLellanThis digital document is an article from Siempre!, published by Thomson! Gale on July 25, 2004. The length of the article is 817 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: MarÃa Callas vista por Franco Zeffirelli.(Callas Forever)(Reseña de pelÃcula)
Author: Tomás Pérez Turrent
Publication: Siempre! (Magazine/Journal)
Date: July 25, 2004
Publisher: Thomson Gale
Volume: 51 Issue: 2667 Page: 76(1)
Article Type: Reseña de pelÃcula
Distributed by Thomson GaleFranco Zeffirelli was and is clearly in love with Maria Callas, but unlike the average Callas fan, as a movie director, he was able to do something about it. This superbly made film,! about the last few months of the great soprano's life in 1977! , moves easily between fact and fantasy to express that love and to give her a more upbeat ending than the one that fate actually dealt her. It is made with the attention to small details that is a hallmark of Zeffirelli's work.
In reality, Callas became a recluse in her luxurious Paris apartment, mourning the loss of her voice, the breakup of her relationship to Aristotle Onassis and the disintegration of her career. Her final days were a nightmare. But Zeffirelli uses his imagination to rewrite that unhappy ending. He invents a rock producer, Tom Kelly (Jeremy Irons) who clearly is a Zeffirelli figure (the names rhyme). Kelly used to be her manager and has a scheme to revive her career in movies: he will film her greatest roles, using her recordings as soundtracks; she will go through the motions and lip-synch the words. It might have worked; experiments with Carmen, which she recorded but never sang onstage, were certainly promising. But Callas turned down the plan, ! on grounds of artistic integrity.
But in fact, Zeffirelli does make it work in this movie. Fanny Ardant does a marvelous job as Callas, not only shaping the words of her various arias (digitized and sounding better than ever) but also using facial expressions that speak as eloquently as words. Here is Callas reborn, with all her temperament, anguish and pride. Raw emotions are unleashed, particularly in a production of Tosca, when she stabs the villainous Scarpia (Justino Diaz) shouting savagely "muori dannato, muori, muori, muori" ("die , damn you, die, die die") She is avenging all the insults and disappointments of her life; Ardant becomes Callas in such moments. --Joe McLellanCD > POPULAR MUSIC > ROCK
Five years after the horrible bloodbath at Camp Crystal Lake, all that remains is the legend of Jason Voorhees and his demented mother, who had murdered seven camp counselors. At a nearby summer camp, the new counselors are unconcerned about the warnings to stay away from the infamous site. Carefree, the young people roam the area, not sensing the ominous lurking presence. One by one, they are attacked and brutally slaughtered. Suspense and screams abound in this compelling thriller.As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing! even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his defor! med features (he finally found his way to a sporting-goods sto! re and h is trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartGet ready for twice the terror with Friday the 13th Part 2: Deluxe Edition! Five years after the massacre at Camp Crystal Lake, the nerve-wracking legend of Jason Vorhees and his diabolical mother lives on. Despite ominous warnings from the locals to stay away from âCamp Bloodâ a group of counselors at a nearby summer camp decide to explore there area where seven people were brutally slaughtered. All too soon, they encounter horrors of their own and the killing begins again. Youâll be at the edge of your seat for this gruesome thriller about 24 hours of bone-chilling fear!As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the! 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than an! y of the killings beforehand) in an attempt to confuse the mas! ked kill er. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartFRIDAY THE 13TH PART 3 (DELUXE EDITIO - DVD MovieThe tender, tragic saga of Jason Vorhees, the world's unhappiest camper, continues when yet another batch of hormonally advanced teens decide to ignore past history and spend some time at the woodsy, pine-scented slaughterhouse known as Camp Crystal Lake. It may be a bit of a stretch to describe any of the entries in this interminable series as "good! ," but this creatively grotesque installment manages to come surprisingly close with a welcome sense of humor and some quick glimmers of real menace (courtesy of director Steve Miner, who would later go on to helm the far more accomplished Halloween: H20). Originally presented in 3-D, which explains the never-ending slew of objects (knives, pitchforks, yo-yos, cats, eyeballs, etc.) that are repeatedly thrust in the viewer's general direction. --Andrew Wright HAVING ESCAPED IN THE LAST EPISODE, JASON IS BACK, HOCKEY MASKAND ALL, TO CONTINUE HIS MURDEROUS RAMPAGE ACROSS CRYSTAL LAKE.The tender, tragic saga of Jason Vorhees, the world's unhappiest camper, continues when yet another batch of hormonally advanced teens decide to ignore past history and spend some time at the woodsy, pine-scented slaughterhouse known as Camp Crystal Lake. It may be a bit of a stretch to describe any of the entries in this interminable series as "good," but this creatively grotesque i! nstallment manages to come surprisingly close with a welcome s! ense of humor and some quick glimmers of real menace (courtesy of director Steve Miner, who would later go on to helm the far more accomplished Halloween: H20). Originally presented in 3-D, which explains the never-ending slew of objects (knives, pitchforks, yo-yos, cats, eyeballs, etc.) that are repeatedly thrust in the viewer's general direction. --Andrew Wright FRIDAY THE 13TH: They comprise the most successful and shocking tales of terror in cinema history. Now, for the first time, the first eight classic Friday The 13th movies are available together in this killer DVD collection. Beginning with the picture that critics have called the original slasher flick, this collection spans nine years and includes seven additional blood-soaked, suspense-filled sagas starring one of the most horifying characters ever to wear a hockey mask and wield a machete: Jason Voorhees. It's a splatterfest of fear all the way from Crystal Lake to the mean streets of Manhattan. In additio! n, the collection includes a special disc filled with never-before-seen footage and fabulous extras that will slay even the most jaded horrorfilm aficionado! FRIDAY THE 13TH PART 2: Two months after the events of the original Friday the 13th, Alice (Adrienne King), the lone survivor or Mrs. Vorhees' killing spree, meets a grisly end in her city apartment. Five years later, a new group of co-eds converges near Camp Crystal Lake, scene of the original massacre and the drowning of Jason Vorhees that preceded it. This time around, the horny collegians attend a nearby training school for camp counselors. As half the group parties in town, an unseen assailant picks off the other half one by one. Only when camp leader Paul (John Furey) and his girlfriend, Ginny (Amy Steel), return to camp do they uncover the identity of their stalker â" none other than Jason (Warrington Gillette) himself, alive but grotesquely deformed as a result of his childhood drowning. Flashbacks chronicle ! Jason's behind-the-scenes activities in the first film (perhap! s explai ning how his mother was able to throw the dead bodies of muscular youths through windows with such apparent ease). The young couple's only hope to defeat the fiend lies in psych major Ginny's insights in Jason's mental state.FRIDAY THE 13TH:FINAL CHAPTER DE - DVD MovieAmateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humdrum entry is distinguished by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andre! w WrightStudio: Paramount Home Video Release Date: 02/03/2009 Run time: 95 minutes Rating: UrJason rises from the grave to wreak havoc upon a new group of unsuspecting campers in the ultra-bloody rampage Friday The 13th: Part VI: Jason Lives - Deluxe Edition. As a child, Tommy Jarvis killed mass-murderer Jason Voorhees. But now, years later, he is tormented by the fear that maybe Jason isn't really dead. Determined to finish off the infamous killer once and for all, Tommy and a friend dig up Jason's corpse in order to cremate him. Unfortunately, things go seriously awry, and Jason is instead resurrected, sparking a new chain of ruthlessly brutal murders. Now it's up to Tommy to stop the dark, devious and demented deaths that he unwittingly brought about in this terrifying horror film that will take you to the grave and back!
Money has great power in our lives. Used wisely, it is one key to accomplishing our goals, providing for our needs, and fulfilling our life purpose. In recent years, many of us ignored the wisdom of the past when it came to managing and spending our money. Credit card debt soared, savings rates plummeted, and our home equity became something to be tapped into and spent rather than a source of security in retirement. We felt an insatiable desire for more. And we found ourselves spending tomorrowâs money today in order to have what we hoped would satisfy. The result of all of this was not greater happiness and satisfaction, but greater stress and anxiety.
Enough is an invitation to rediscover the Bibleâs wisdom when it comes to prudent financial practices. In these pages are found the keys! to experiencing contentment, overcoming fear, and discovering! joy thr ough simplicity and generosity. This book could change your life, by changing your relationship with money. Â
âWe Americans love our stuff. Weâre living in a fast-paced, me-first, instant-gratification world, and itâs finally catching up to us. Debt is out of control, homes are in foreclosure  ... even banks are going out of business. What the world needs today is the message of contentment and simplicity, and thatâs exactly what Pastor Adam Hamilton delivers in Enough.â
Dave Ramsey, New York Times Best-Selling Author and Nationally Syndicated Radio Talk Show HostÂ
âOnce again, Adam Hamilton is leading the church; âEnough is enoughâ was once a Wesleyan watchword. Adam breathes new life into the Wesleyan commitment to simplicity. Amid a culture of greed and conspicuous consumption Adam calls us to a biblically based, evangelical j! oy of having the faith to say âenough is enough.ââ
Bishop Will Willimon
United Methodist Church, Birmingham Area
âI pay close attention to whatever Adam Hamilton writes. His books are marked by extraordinary pastoral insight, biblical and theological depth, courage to speak the truth, and down-to-earth practicality. Enough comes like an antidote in the middle of a pandemic. I hope that classes, groups, couples, and individuals will use this bookâ"and the economic crisis it addressesâ"as a challenge to get healthy again by deepening our discipleship in the vital area of money and possessions.â
Brian McLaren, Author/Networker (brianmclaren.net)
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Throughout his legendary career, John C. Bogle-founder of the Vanguard Mutual Fund Group and creator of the first index mutual fund-has helped investors build wealth the right way and led a tireless campaign to restore common sense to the investment world. Along the way, he's seen how destructive an obsession with financial success can be. Now, with Enough., he puts this dilemma in perspective.
Inspired in large measure by the hundreds of lectures Bogle has delivered to professional groups and college students in recent years, Enough. seeks, paraphrasing Kurt Vonnegut, "to poison our minds with a little humanity." Page by page, Bogle thoughtfully considers what "enough" actually means as it relates to money, business, and life.
Written in a straightforward and accessible style, this unique book examines what it truly means to have "enough" in world increasingly focused on status and score-keeping.
Amazon.com Exclusive: William J. Bernstein on Enough
William Bernstein, Ph.D., M.D. is the critically acclaimed author, financial theorist and historian whose books include A Splendid Exchange: How Trade Shaped the World, The Birth of Plenty, The Four Pillars of Investing, and The Intelligent Asset Allocator. Bernstein is frequently quoted in national publications, including The Wall Street Journal, Barron's, Money, and Forbes.
If you are wondering about the cause of the current market crisis, th! en you haven't been reading enough of Jack Bogle.
Because he certainly knows not only where, but why and how. For decades Jack has been communicating his disquiet in previous books, speeches, and public testimony. Years from now, when historians and investors dissect the economic and market meltdowns of 2008, they'll consult this slim, well-written volume.
In order to understand the intellectual and moral platform from which he surveys the economic wreckage, you need to know a little of his story. Bogle founded one of the world's great investment companies, the Vanguard Group. Most men in his situation would have levered such success into a multi-billion-dollar net worth; instead, he "mutualized" Vanguard, converting it, in effect, into a nonprofit organization whose only goal was to benefit its fund holders. From an ethical perspective, Vanguard is the only "investment company" worthy of that name. (As opposed to most financial firms, which are in fact "m! arketing companies" whose main purpose is to milk unwitting in! vestors of fees and commissions.)
The answer to the conundrum of 2008 lies in the bookâs title, "Enough," which is the punch line from a delightful Kurt Vonnegut/Joseph Heller story. Simply put, our nation has been suffering from decades of unchecked financial excess, for which we are now paying the piper: excess in investment company fees; excess in financial speculation masquerading as diversification and innovation; excess in the salaries of top executives; excess in salesmanship; and most importantly, excess in the role played by the financial industry in our national economy and national life.
Each of these excesses gets its own chapter, and each one is a tightly written gem. Chapters 2 and 3, which dissect out the frenzy of derivatives, structured vehicles, and layers of intermediation behind the recent collapse, alone justify the book's purchase price.
As Bogle states in the book's beginning, in the spring of 2007 the financial services sector--which! , after all, produces nothing of substantive value--accounted for one-third of the earnings of the S&P 500. By the time you read this, this outsized influence will have shrunken drastically. Let Enough be your welcome to the brave new world; it will satisfy your curiosity, give you a sense of moral balance in this most materialistic of ages, and even plump up your investment portfolio.
--William J. Bernstein
Disc 2: **Goldfinger Bonus Disc DECLASSIFIED: MI6 VAULT Sean Connery From the Set of Goldfinger Screen Tests On Tour With the Aston Martin DB-5 Honor Blackman Open-Ended Interview 007 MISSION CONTROL Interactive Guide Into the World of Goldfinger The Making of Goldfinger The Goldfinger Phenomenon Original Publicity Featurette MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications
Disc 3: *The World Is Not Enough (1999) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Michael Apted Audio Commentary Featuring Peter Lamont, David Arnold and Vic Armstrong
Disc 4: **The World Is Not Enough Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes and Alternate Angles With Introductions by Director Mic! hael Apted Alternate Angle, Expanded Angle Scene: The Thames Boat Chase James Bond Down River - Original 1999 Featurette Creating an Icon: Making the Teaser Trailer Hong Kong Press Conference 007 MISSION CONTROL Interactive Guide Into the World of The World Is Not Enough The Making of The World Is Not Enough Bond Cocktail Tribute to Desmond Llewelyn Garbage 'The World Is Not Enough' Music Video The Secrets of 007 MINISTRY OF PROPAGANDA Original Trailer & Photo Gallery
Disc 5: *Diamonds Are Forever (1971) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew
Disc 6: **Diamonds Are Forever Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes Sean Connery 1971: The BBC Interview Lesson # 007: Close Quarter Combat Deleted Footage - Oil Rig Attack Satellite & Explosions Test Reel Alternate & Expanded Angles 007 007 MISSION CONTROL Interactive Guide Into the World of Diamonds! Are Forever Inside Diamonds Are Forever Cubby Broccoli - Th! e Man Be hind Bond MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications
Disc 7: *The Man With The Golden Gun (1974) **The Man With The Golden Gun Bonus Disc Newly Recorded Audio Commentary Featuring Sir Roger Moore THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew
Disc 8: DECLASSIFIED: MI6 VAULT Roger Moore and HervÃ(c) Villechaize - The Russell Harty Show On Location With The Man With the Golden Gun Guy Hamilton: The Director Speaks Girls Fighting American Thrill Show Stunt Film The Road to Bond: Stunt Coordinator W.J. Millian Jr. 007 MISSION CONTROL Interactive Guide Into the World of The Man With the Golden Gun Inside The Man With the Golden Gun An Original Documentary Double-O Stuntmen: A Look at the Greatest Stunts and Stunt Performers in the Bond Films MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communicat! ions
Disc 9: *The Living Daylights (1987) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director John Glen and Members of the Cast and Crew
Disc 10: **The Living Daylights Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes With Introduction by John Glen Happy Anniversary, 007 Silver Anniversary Featurettes Timothy Dalton: The New James Bond/Vienna Press Conference Timothy Dalton: On Acting Dalton and d'Abo Interviews The Ice Chase Outtakes - Deleted Footage With Director John Glen Narration 007 MISSION CONTROL Interactive Guide Into the World of The Living Daylights Inside The Living Daylights Ian Fleming: 007's Creator a-ha 'The Living Daylights' Music Video The Making of 'The Living Daylights' Music Video MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications
Armed with the same airheaded humor he brought ! to Romy and Michele's High School Reunion, director Dav! id Mirki n relies on the clichéd notion that sex turns all men into morons--a conceit that would have worked if the dialogue and sitcom antics were more convincing. As Page's would-be paramour, Jason Lee is rendered intellectually inert, and it's hit-or-miss from that point forward. When the humor hits--as it does with Nora Dunn's rendition of a horrible housemaid--Heartbreakers hints at its full potential. Additional plot twists--not to mention Hewitt's microskirts and Wonderbras--may hold your attention, but you may find yourself harkening back to Steve Martin, Michael Caine, and those happier high jinks on the French Riviera. Singer-songwriter Shawn Colvin has a cameo role as the wedding priest. --Jeff Shannon In a frothy, sexy feature The Huffington Post called an effervescent delight, Alex (Romain Duris of The Beat That My Heart Skipped) is a romantic for hire. If your daughter or sister or friend is falling for the wrong man, Alex will get her to fall for him, wa! tch her dump the loser...and then break her heart by walking away. She ll be sad but wiser and lucky to have avoided a bad relationship. It s a highly profitable business with one rule: don t fall in love. When Alex is hired to woo Juliette (Vanessa Paradis of Girl On The Bridge), he breaks her heart...and his own rule. Starring two of the most beautiful actors in the world, Heartbreaker is the perfect date movie with a sweetly hilarious, Dirty Dancing-inspired finale that you ll never forget.