Cemetery Junction Poster Movie UK (11 x 17 Inches - 28cm x 44cm)

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A 1970s-set comedy centered on three upstart professional men working at an insurance company. Studio: Sony Pictures Home Ent Release Date: 08/17/2010 Starring: Ricky Gervais Emily Watson Run time: 95 minutes Rating: RRicky Gervais and Stephen Merchant, the duo behind the BBC's Office, travel back to 1973 for this serio-comic coming-of-age story. Inspired by Gervais's Reading hometown, Cemetery Junction is the type of small-minded burg Freddie Taylor (Christian Cooke, likable and at! tractive) longs to escape. Fortunately, he receives a job offer from Mr. Kendrick (a smarmy Ralph Fiennes), leading to a gig selling life insurance. His best mates, the goofy Snork (Jack Doolan) and rebellious Bruce (Tom Hughes, the film's true star), can't imagine anything more dull, but Freddie, who wants to travel the world, sees it as his way out. Kendrick pairs Freddie with Mike (Matthew Goode, great value), who proves that the nice-guy approach loses sales (Emily Watson shines as Kendrick's browbeaten wife). While Freddie pines for the boss's daughter (and Mike's fiancée), Julie (Felicity Jones), Bruce works with Freddie's father, Len (Gervais), in a factory, and tangles with the law (refreshingly, the local sergeant has a sympathetic side). If things end as one might expect, that doesn't make Cemetery Junction any less enjoyable, but it does help to explain why it didn't receive a U.S. theatrical release. By focusing on a young Brit anxious to find his place ! in the world, the directors provide a companion piece to pictu! res like Starter for 10 and An Education. Familiar or not, it's still superior to most mainstream comedies… including a few with which Gervais has been involved. A soundtrack filled with energizing glam-rock classics further elevates their efforts. --Kathleen C. FennessyCEMETERY JUNCTION - Blu-Ray MovieRicky Gervais and Stephen Merchant, the duo behind the BBC's Office, travel back to 1973 for this serio-comic coming-of-age story. Inspired by Gervais's Reading hometown, Cemetery Junction is the type of small-minded burg Freddie Taylor (Christian Cooke, likable and attractive) longs to escape. Fortunately, he receives a job offer from Mr. Kendrick (a smarmy Ralph Fiennes), leading to a gig selling life insurance. His best mates, the goofy Snork (Jack Doolan) and rebellious Bruce (Tom Hughes, the film's true star), can't imagine anything more dull, but Freddie, who wants to travel the world, sees it as his way out. Kendrick pairs Freddie with Mike (Matthe! w Goode, great value), who proves that the nice-guy approach loses sales (Emily Watson shines as Kendrick's browbeaten wife). While Freddie pines for the boss's daughter (and Mike's fiancée), Julie (Felicity Jones), Bruce works with Freddie's father, Len (Gervais), in a factory, and tangles with the law (refreshingly, the local sergeant has a sympathetic side). If things end as one might expect, that doesn't make Cemetery Junction any less enjoyable, but it does help to explain why it didn't receive a U.S. theatrical release. By focusing on a young Brit anxious to find his place in the world, the directors provide a companion piece to pictures like Starter for 10 and An Education. Familiar or not, it's still superior to most mainstream comedies… including a few with which Gervais has been involved. A soundtrack filled with energizing glam-rock classics further elevates their efforts. --Kathleen C. FennessyThis is an EXACT reproduction of a boo! k published before 1923. This IS NOT an OCR'd book with strang! e charac ters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.Cemetery Junction Reproduction Poster Print UK Style A 11 x 17 Inches - 28cm x 44cm

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Ghosts of Cité Soleil 20x26 Framed and Double Matted Movie Poster - A

• High quality framed art print
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An epic portrait of a family and a culture torn apart by poverty and violence, GHOSTS OF CITE SOLEIL is a powerful and unsettling documentary that takes us inside the lives of the notorious gang leaders who dominate the Haitian slum of Cite Soleil, one of the most desperate communities in the Western hemisphere. Set to a score by Wyclef Jean, who also executive produced the film and serves as an inspiration to the young men of Haiti, the film follows two of the gang leaders, who happen to be brothers, and are also aspiring rappers. The foot soldiers of these gang leaders are known as chimeres ("ghosts") and it was those ghosts whom former President Jean-Bertrand Aristide is said to have employ! ed to silence his opponents. Filmed in the months leading up to Aristide's overthrow in 2004, the film captures the smoldering tensions between the two rival gang leaders, and their love for the same woman, set in a city the United Nations has declared the most dangerous place on Earth.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Hurlyburly : Widescreen Edition

• Widescreen

HURLYBURLY - DVD MovieYou wouldn't want to spend much time with the folks from David Rabe's play Hurlyburly. A sensation when it played on stage (with marquee names Harvey Keitel and William Hurt), Rabe's tale of the cocaine-influenced days of Hollywood in the 1980s is a bitter rambling of what humans do with too much drive, power, and money. Robin Williams's joke about cocaine being God's way of telling you have too much money certainly comes into play here. A few days in the life of casting agent Eddie (Sean Penn) and his friends (separated by a year) take place in Eddie's posh L.A. bungalow. Here he and his roomie Mickey (Kevin Spacey) talk nonstop about sex and power, syntax and meaning. Into this wash comes a charitable bigwig (Gary Shandling), a street kid (Anna Paquin), and Eddie's rudderless friend, the violent Phil (Chazz Palminteri). If there is a central story ! to be found, it's Eddie's drive to fall in love with Darlene (Robin Wright Penn), who finds this world exciting--or at least intoxicating.

This is not the bunch to invite over to your house, and many might even want to skip the two-hour film with its talky, pathetic prose. These characters would probably be despicable even if they weren't addicted to some narcotic. And the talk is endless; conversations that finish with a door slam are taken up moments later on the cell phone (a nice updating touch by Rabe). What draws big-name actors to Rabe's work is the chance to work on one's raw acting talent. Penn and Palminteri fit their roles like gloves, and Spacey again proves he is one of the most watchable actors around. Every nuance, bad pun, and irrelevant slip of Spacey's wicked tongue has a brutal kind of poetry here in a film that can be admired but not loved. --Doug ThomasFull Length, Drama

Characters: 4 male, 3 female

Interior Set

This riveti! ng drama took New York by storm in a production directed by Mi! ke Nicho ls and starring William Hurt, Sigourney Weaver, Judith Ivey, Christopher Walken, Harvey Keitel, Cynthia Nixon and Jerry Stiller. Characters nose deep in the decadent, perverted, cocaine culture that is Hollywood, pursing a sex crazed, drug-addled vision of the American Dream. Later stage and screen incarnations have attracted such actors as Ethan Hawke, Meg Ryan, Sean Penn, and Kevin Spacey.

"Offers some of Mr. Rabe's most inventive and disturbing writing. At his impressive best, Mr. Rabe makes grim, ribald and surprisingly compassionate comedy out of the lies and ationalizations that allow his alienated men to keep functioning if not feeling in the fogs of Lotusland. They work in an industry so corrupt that its only honest executives are those who openly admit that they lie."-The New York Times

"An important work, masterfully accomplished."-Time

"A powerful permanent contribution to American drama...Riveting, disturbing, fearsomely ! funny...Has a savage sincerity and a crackling theatrical vitality. This deeply felt play deserves as wide an audience as possible."-Newsweek

You wouldn't want to spend much time with the folks from David Rabe's play Hurlyburly. A sensation when it played on stage (with marquee names Harvey Keitel and William Hurt), Rabe's tale of the cocaine-influenced days of Hollywood in the 1980s is a bitter rambling of what humans do with too much drive, power, and money. Robin Williams's joke about cocaine being God's way of telling you have too much money certainly comes into play here. A few days in the life of casting agent Eddie (Sean Penn) and his friends (separated by a year) take place in Eddie's posh L.A. bungalow. Here he and his roomie Mickey (Kevin Spacey) talk nonstop about sex and power, syntax and meaning. Into this wash comes a charitable bigwig (Gary Shandling), a street kid (Anna Paquin), and Eddie's rudderless friend, the violent Phil (Chazz Pal! minteri). If there is a central story to be found, it's Eddie'! s drive to fall in love with Darlene (Robin Wright Penn), who finds this world exciting--or at least intoxicating.

This is not the bunch to invite over to your house, and many might even want to skip the two-hour film with its talky, pathetic prose. These characters would probably be despicable even if they weren't addicted to some narcotic. And the talk is endless; conversations that finish with a door slam are taken up moments later on the cell phone (a nice updating touch by Rabe). What draws big-name actors to Rabe's work is the chance to work on one's raw acting talent. Penn and Palminteri fit their roles like gloves, and Spacey again proves he is one of the most watchable actors around. Every nuance, bad pun, and irrelevant slip of Spacey's wicked tongue has a brutal kind of poetry here in a film that can be admired but not loved. --Doug Thomas

Nominated for the Tony Award when it was first produced in 1984, Hurlyburly was immediately hailed as a classic Americ! an drama. This edition is the definitive version of the prize-winning author's most celebrated work, reflecting his continued exploration of the play through several productions-in particular the one he directed in 1988 at the Westwood Playhouse in Los Angeles-and his latest thoughts regarding the text.

Now prize-winning playwright David Rabe has matched and deepened it with Those the River Keeps, an intense psychological exploration of Hurlyburly's most dangerous and enigmatic character. This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

Nominated for the Tony Award when it was first produced in 1984, Hurlyburly was immediately hailed as a classic American drama. This edition is the definitive version of the prize-winning author's most celebrated work, reflecting his continued exploration of the ! play through several productions-in particular the one he dire! cted in 1988 at the Westwood Playhouse in Los Angeles-and his latest thoughts regarding the text.

Now prize-winning playwright David Rabe has matched and deepened it with Those the River Keeps, an intense psychological exploration of Hurlyburly's most dangerous and enigmatic character. This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

You wouldn't want to spend much time with the folks from David Rabe's play Hurlyburly. A sensation when it played on stage (with marquee names Harvey Keitel and William Hurt), Rabe's tale of the cocaine-influenced days of Hollywood in the 1980s is a bitter rambling of what humans do with too much drive, power, and money. Robin Williams's joke about cocaine being God's way of telling you have too much money certainly comes into play here. A few days in the life of casting agent Eddi! e (Sean Penn) and his friends (separated by a year) take place in Eddie's posh L.A. bungalow. Here he and his roomie Mickey (Kevin Spacey) talk nonstop about sex and power, syntax and meaning. Into this wash comes a charitable bigwig (Gary Shandling), a street kid (Anna Paquin), and Eddie's rudderless friend, the violent Phil (Chazz Palminteri). If there is a central story to be found, it's Eddie's drive to fall in love with Darlene (Robin Wright Penn), who finds this world exciting--or at least intoxicating.

Day Watch / Dnevnoy Dozor - (PAL/R5 - Russian Import)

• - Deluxe Digipak (Collector's Edition)
• - Region 5

NO ENGLISH SUBTITLES!!! PAL formatted, Region 5, Russian DVD. Audio track: DD 2.0 and DD 5.1 RUSSIAN. WILL NOT play on regular R1 DVD player (multisystem PAL/NTSC compatible, region free DVD player required).........................................SYNOPSIS: This time the World happens to be on the threshold of war between the Dark and Light Powers... The Inquisitor steps into the limelight. It means that stakes are very high now and all the participants are only pawns in the big game. Anton Gorodetsky, the operative of Night patrol, nightly battling witches and vampires in the streets of Moscow, becomes such a pawn in intrigue that has very thin plot. But neither the master manipulator, nor the victim can imagine what the outcome of this chain of unfortunate events will follow...

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Sultry crime boss Lucy Diamond (Jordana Brewster, The Fast and the Furious) is back in the states and the D.E.B.S.- an elite team of paramilitary college co-ed superspies- are hot on her trail. But when their top agent, gorgeous Amy Bradshaw (Sara Foster, The Big Bounce), mysteriously disappears after coming face to face with the attractive young villainess, the D.E.B.S. begin a full-scale search for Lucy's secret lair, never suspecting that Amy may not want to be rescued after all, in this smart and sexy spy spoof about love a! t first gun sight.You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian rel! ationship is handled with unexpected sympathy, even tenderness! . Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamThe producers of the raw and uncensored Def Comedy Jam and the Tony Award-winning Def Poetry Jam, in association with F.E.D.S. magazine, now take millions of hip-hop fans to the birthplace of the multi-billion dollar rap industry... The Streets. Bringing to life the stories chronicled in each issue of the unofficial street bible, new Def Filmmaker Kwame Amouku is given a pass to the neighborhoods, sets and underground spots that street bosses would never allow TV cameras to enter. Original and present day sets of South Central and Compton Bloods and Crips with OGs T. Rodgers and M! ichael Concepcion as our tour guides. F.E.D.S. features: The underground breeding, training, fighting and execution dens of the street's and hip-hop's official mascot, the pit bull; The home and hustle spots of one of the only Harlem hustlers to ever get out of the game and live to tell about it. Told directly from the mouth of the legendary gentleman hustler himself, PeeWee Kirkland; The site of the attempted murder of F.E.D.S. founder Antoine Clark and the story of the magazine's unlikely rise to become the street's first publishing dynasty; A sneak preview of the home of legendary and present day bosses of the most notorious Jamaican Shottas, live and direct from Tivoli Gardens, Jamaica; The censors are off, the cameras are rolling and the streets are alking! Songs include: Being Lonely (Field Mob), Fly (213), Off the Wall (Skillz), Get By (Talib Kewli), Do Sumpthin? (Comp), B-More Anthem (Comp), Pushaman (Joe Budden), Safe (Scarface), In Cold Blood (Scarface), Uh Huh (M! ethod Man), Hood Money (CNN)BUSTED - DVD MovieYou can say this! about < I>D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympat! hy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamBuy a new outfit. Be a disco diva. Learn to fish. Take a chance. Travel. Laugh. Love. Sometimes all you need to start really living is a little shove in the right direction â€" and that’s just what Holly Kennedy gets. From the handsome, big-hearted love of her life. From a series of mysterious letters. And from gal pals who know that a friend in need is a friend in need of some laughs! Based on Cecelia Ahern’s joyful bestseller and boasting a top cast led by two-time Academy Award® winner* Hilary Swank and Gerard Butler (300), P.S. I Love You is yo! ur very own message full of fun, love, triumph and romance. Op! en it no w. (P.S. You’ll love it!)For those who believe true love lasts beyond this physical plane, P.S. I Love You is a jewel in the romantic-movie crown. With elements of Ghost, Heaven Can Wait, and My Life, the film is an unabashed valentine to the notion of lasting (everlasting?) love. Hilary Swank is Holly, a deeply happy lass married to the most impossibly adorable Irishman on the planet, Gerry (Gerard Butler). When an illness takes him from her, Holly spirals into depression. Then, as if from beyond the grave, communications, gifts, and remembrances from Gerry begin to appear--gestures he'd planned knowing his death was coming. The "communications" with her dead husband could threatened to keep Holly in past, yet they begin to pave a path into her future.

Swank, not a traditional romantic actress, is quite moving as Holly, whose grief and confusion is palpable. Butler will win new continents of fans, largely female, as the yummiest honey one ! could wish for. Special kudos to the supporting cast, including Lisa Kudrow as a Holly pal, and James Marsters and Kathy Bates, always breaths of fresh air onscreen. Under the sure hand of director-writer Richard LaGravenese, P.S. I Love You is touching, sad (have tissues on hand), and heartbreakingly lovely. --A.T. HurleyContact me if you are interested in larger wholesale quantities of this or other products. Designed to fit: Fits Eureka original Manufacture bag part number : 52318, 52318-12, 57697-12 Filteraire, 54921-10, 54021-10 Eureka Mighty Mite canister Series 3000 and 3100 White Westinghouse canister models using style VIP 9020 Does not fit Eureka Might Mite canisters using style MM or N bags! I have other listings for those styles check out my Ebay store. Fits these models and others: Eureka Floorshow Cleaner Model : 3015B , 3035A , 3035B , 3035D, 3020BE Eureka Mighty Mite Canister Model : 3109AM , 3109BM, 3111A , 3123A , 3134A , 3140D , 3140E , 3155A Eureka Home Cleaning System Model 8281D Eureka Commercial Mighty Mite Canister Model S3191B , S3191E Item is: Micron filtration Allergy Bag Traps Bacteria, Dust Mites, etc. down to 0.01 micron At these prices I change my bag once a month whether it is full or not! That gives my vacuum always optimum cleaning performance

Amadeus - Director's Cut (Two-Disc Special Edition)

• Director's Cut
• 2-Disc Special Edition

THE INCREDIBLE STORY OF WOLFGANG AMADEUS MOZART, TOLD INFLASHBACK MODE BY ANTONIO SALIERI - NOW CONFINED TO AN INSANE ASYLUM.The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Salieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality, but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognize and cultivate both Mozart's talent and career, he's also consumed with envy and i! nsecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruelest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris Bueller's principal, is particularly wonderful as the bumbling emperor (with the voice of a modern midlevel businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay, and Best Picture. --Jim EmersonGripping human drama. Sumptuous period epic. Glorious celebration of the music of Wolfgang Amadeus Mozart. This marvelous ! winner of eight Academy Awards(R) portrays the rivalry between! the gen ius Mozart (Tom Hulce) and the jealous court composer (Best Actor Oscar(R) Winner F.Murray Abraham) who may have ruined Mozart's career and shortened his life. A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the director's-cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes." Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill will towards Salieri when she discovers him at her husband's deathbed, and we see deeper into the reasons why Mozart has no students. The s! tructure of the picture is otherwise unaltered.

The director's cut of Amadeus finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc. Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerized by the movie to do much more than offer the odd anecdote. The second disc contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner, and all the main actors, taking in the scriptwriting, choice of music, casting, and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker