Thursday, November 17, 2011

George A. Romero's Diary of the Dead

  • From legendary frightmaster George A. Romero comes one of the most daring, hypnotic and absolutely vital horror films of the past decade (fangoria.com). Romero continues his influential Dead series, this time focusing on a terrified group of college film students who record the pandemic rise of flesh-eating zombies while struggling for their own survival. Format: DVD MOVIE Genre: HORROR
From legendary frightmaster George A. Romero comes one of the most daring, hypnotic and absolutely vital horror films of the past decade (fangoria.com). Romero continues his influential Dead series, this time focusing on a terrified group of college film students who record the pandemic rise of flesh-eating zombies while struggling for their own survival. Intensely gruesome and relentlessly grisly fueled by the directors signature realistic special effects Diary of the Dead is must-see horror that is Romero a! t his finest (bloody-disgusting.com).George Romero has always come up with new ways of treating his zombies, and Diary of the Dead is no exception: Romero keeps his dead fresh, with an original approach to the undying subject. This one purports to be the video record of a group of young people who are shooting a low-budget horror movie when the terror strikes: corpses begin re-animating, intent on chewing the living. Our heroes trek across Pennsylvania, encountering the staggering zombies as they go. Other pieces of video are incorporated, which gives Romero a chance at some great set-pieces, including the brilliant opening sequence, a live local-TV feed that goes horribly, horribly wrong, and a home-video tape from a family birthday party, where the party clown turns out to be a dead ringer. All of Romero's Dead films are political, and this one's no exception, with a stark view of the way things are today; it doesn't offer the Hawksian heroics of the survivo! rs in Dawn of the Dead or Land of the Dead for c! omfort, just a group of bickering, shocked youths. There's too much talk about the detachment of watching things through a lens, but in general this is a bracing, intelligent movie. Plus, there's some excellent splatter. --Robert Horton

G.I. Jane

  • Screen megastar Demi Moore ("Disclosure", "Indecent Proposal") is in top form in this action-packed hit! Moore stars as gutsy Lieutenant O Neil, the first woman ever given the opportunity to earn a place in the armed forces most highly skilled combat unit--the elite Navy Seals! But the already brutal rigors of training camp turn into an unimaginable test of courage and determination once it become
Demi Moore (DISCLOSURE, INDECENT PROPOSAL) is in top form in this action-packed hit! Moore stars as gutsy Lieutenant O'Neil, the first woman ever given the opportunity to earn a place in the armed forces most highly skilled combat unit -- the elite Navy SEALS! But the already brutal rigors of training camp turn into an unimaginable test of courage and determination once it becomes clear that no one -- powerful politicians, top military brass, or her male Navy SEAL teammates -- wants her to succeed! ! A critically acclaimed triumph directed by action hitmaker Ridley Scott (ALIEN, THELMA & LOUISE) -- you'll cheer for G.I. JANE as this brave soldier proves she belongs among the best of the best!It seemed like a pretty good career move, and for the most part it was. Demi Moore will never top any rational list of great actresses, but as her career stalled in the mid-1990s she had enough internal fire and external physicality to be just right for her title role in G.I. Jane. Her character's name isn't Jane--it's Jordan O'Neil--but the fact that she lacks a penis makes her an immediate standout in her elite training squad of Navy SEALs. She's been recruited as the first female SEAL trainee through a series of backroom political maneuvers, and must prove her military staying power against formidable odds--not the least of which is the abuse of a tyrannical master chief (Viggo Mortensen) who puts her through hell to improve her chances of success. Within the limitations ! of a glossy star vehicle, director Ridley Scott manages to inc! orporate the women-in-military issue with considerable impact, and Moore--along with her conspicuous breast enhancements and that memorable head-shaving scene--jumps into the role with everything she's got. Not a great movie by any means, but definitely a rousing crowd pleaser, and it's worth watching just to hear Demi shout the words "Suck my ----!!" (rhymes with "chick"). --Jeff Shannon

The Fast and Furious 5 Step Organizing Solution: No-Fuss Clutter Control from a Top Professional Organizer

Walk All Over Me

  • A dangerously deviant ride that will leave you begging for more! Latex and larceny meet in this sexy thriller about Alberta (Leelee Sobieski, Eyes Wide Shut), a small-town screw-up who escapes to Canada only to move in with a beautiful but tough dominatrix. Secretly taking on her roommate's identity, Alberta gets caught between half a million stolen dollars and the brutal thugs who want it
If you've forgotten what it's like to be fifteen, it all comes crashing back in this wonderfully edge look at the relationship between a sensitive, vulnerable young girl named Claude and her beautiful, quick-witted best friend Ellen.This gritty 1997 film marks the merging of several budding talents: sisters Sylvia and Alex Sichel, who serve as writer and director, and actors Alison Folland (To Die For), Tara Subkoff, and Murmurs singer Leisha Hailey. The idea behind the movie was the Sichels' awe at! ever having survived being teenage girls in the big city.

All Over Me is about Claude (Folland) a shy, overweight teen who works in a pizza parlor after school and is secretly in love with her best friend Ellen (Subkoff). But Ellen is far ahead of Claude in development. She has an older boyfriend, and she harbors a bad case of destructive self-loathing that erupts frequently and with a fury. But All Over Me isn't just a teenage cautionary or coming-out tale. It's as much a story of New York and its unbearably long, hot summers as it is the downtown music scene or teenage dreams and struggles with adult issues. More than that, it's a well-made film that has its own rhythm, working slowly to give us insight into the girls' natures. It succeeds admirably in taking us back to that age when everything seemed possible despite the dangers of the city closing in. Growing up has never felt as close to home or as scarily realistic. --Paula NechakThis gritt! y 1997 film marks the merging of several budding talents: sist! ers Sylv ia and Alex Sichel, who serve as writer and director, and actors Alison Folland (To Die For), Tara Subkoff, and Murmurs singer Leisha Hailey. The idea behind the movie was the Sichels' awe at ever having survived being teenage girls in the big city.

All Over Me is about Claude (Folland) a shy, overweight teen who works in a pizza parlor after school and is secretly in love with her best friend Ellen (Subkoff). But Ellen is far ahead of Claude in development. She has an older boyfriend, and she harbors a bad case of destructive self-loathing that erupts frequently and with a fury. But All Over Me isn't just a teenage cautionary or coming-out tale. It's as much a story of New York and its unbearably long, hot summers as it is the downtown music scene or teenage dreams and struggles with adult issues. More than that, it's a well-made film that has its own rhythm, working slowly to give us insight into the girls' natures. It succeeds admirably in taki! ng us back to that age when everything seemed possible despite the dangers of the city closing in. Growing up has never felt as close to home or as scarily realistic. --Paula NechakWhen a soundtrack is done exactly right, the music captures the film's mood, both before and after the movie. All Over Me's soundtrack is just that kind of collection. The film about a young girl's tender and troubled coming out process in the unforgiving streets of New York City's Hell's Kitchen districts, finds the lead actress (Alison Folland)'s many moods surrounded and enhanced by the brilliant Geraldine Fibbers' "Dragon Lady", the desperate "Descent" by relative unknowns Remy Zero, and a handful of riot grrl favorites including Sleater-Kinney's "I Wanna Be Your Joey Ramone" and Ani DiFranco's "Shy". The perfect emo-mix of music, All Over Me is exactly balanced between artists you know and love and artists you will grow to love. --Denise SheppardLatex and larceny ! meet in this sexy thriller about Alberta (Leelee Sobieski, Eye! s Wide S hut), a small-town screw-up who escapes to Canada only to move in with a beautiful but tough dominatrix. Secretly taking on her roommate s identity, Alberta gets caught between half a million stolen dollars and the brutal thugs who want it back.

Comebacks at Work: Using Conversation to Master Confrontation

  • ISBN13: 9780061771026
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Here are ten suspenseful, serpentine stories  of betrayal, blackmail, murder, and revenge...all  culminating in shocking twists of fate.  Within these pages live a wealth of  characters you will not soon forget...people  whose lives become irrevocably trapped in a world of  no comebacks, beyond the point of no return--from  the manipulators and the manipulated to the  ultra-rich capable of buying and selling human lives, to  the everyday man maneuvered by circumstances into  performing deadly acts of violence.

Known as The Makeover Guy ® from his appearances on The Oprah Winfrey Show and other national television programs, Christopher Hopkins believes that as they age,! women become more beautiful but often feel less attractive. He's out to change that. For more than twenty years he's encouraged women who often feel like they' have taken a backseat to everything and everyone else to come out of the shadows and take center stage. Now it's your turn. Using Christopher's step-by-step strategies and detailed advice,you will learn to: 

  • Restore your hair with your ideal cut, color, and style.  
  • Revamp your wardrobe to flatter a changing body.
  • Refresh your face with 'visible lift' makeup techniques.
  • Renew your spirit and maintain your look using Christopher's revival guide.

The workplace guide to putting "I wish I'd said" moments in the past

Ever wish that you could have a "do over" after a conversation at work? Do you often find yourself regretting what you've said to a coworkerâ€"or kicking yourself for not saying something better, stronger, ! or more precise? If so, you're like most people, and in Com! ebacks a t Work, management professor and consultant Kathleen Kelley Reardon, Ph.D., provides the tips and tools you need to know what to sayâ€"and how to say it betterâ€"next time.

In this compelling, entertaining book, Reardon argues that we are responsible for 75 percent of the way we're treated at work, and our successâ€"or failureâ€"at the workplace depends largely on how we handle ourselves in conversation with our colleagues. To break free of the stale scripts and expected actions that allow politically astute people to manipulate us, we must increase our conversational awareness and effectively employ what Reardon calls "comebacks." Comebacks at Work provides a game plan for doing so and explains:

  • Why some comebacks work, while others fall flat;
  • Why our mind goes blank when we are confronted, and how to overcome that response;
  • How to determine which comebacks work, and when to use them.

Every conversation is d! ifferent, and while many situations are common, one set of comebacks isn't enough. Offering a personalized repertoire of comebacks and a plan for using them strategically as well as the skills you will need to package them for maximum effect, Comebacks at Work will prepare you for any difficult conversation that comes your way.


Dark Water (Unrated Widescreen Edition)

  • Far more terrifying than what was seen in theaters, this special unrated version of DARK WATER is a thoroughly absorbing, suspense-filled thriller starring Jennifer Connelly. Dahlia Williams (Connelly) and her 5-year-old daughter are ready to begin a new life together. But their new apartment dilapidated and worn suddenly seems to take on a life of its own. Mysterious noises, persistent leaks of d
No one loses their mind instantly â€" Sanity seeps away one drop at a time. Yoshimi simply wanted a better life â€" for both herself and her daughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko’s schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.Dar! k Water is Japanese horror auteur Hideo Nakata's return to the genre after his Ring cycle made you too scared to watch television ever again. Where Ringu dealt with a supernatural force wreaking revenge via technology, this film is a much more traditional ghost story. After winning a custody battle for her daughter, single mother Yoshimi moves into what she thinks is the perfect apartment with her daughter Hitomi. No sooner have they unpacked than strange things begin to disturb their new life. A water leak from the supposedly abandoned apartment above gets bigger and bigger, a child's satchel reappears even though Yoshimi throws it away several times, and she is haunted by the image of a child wearing a yellow mackintosh who bears a striking resemblance to a young girl who disappeared several years before. The conventional narrative follows Yoshimi's increasingly desperate attempts to discover who or what force is haunting her daughter, but the story's ex! ecution is far from predictable. Nakata is the master of under! stated s uspense: there's always a feeling of motiveless malignancy that runs like an undercurrent through his films--far more frightening than out and out shocks--and here he also practically drowns his audience in water imagery. The film is saturated; the relentless dripping in the apartment, the constant rain outside and the deliberately washed-out photography make any color, such as the yellow coat, seem incongruous and unsettling. Nakata also clears the film of unnecessary characters--this is an almost deserted Tokyo--preferring to concentrate the action on Yoshimi's rising hysteria as she struggles to understand what is happening and how to save her daughter. Granted, the special effects are somewhat unconvincing and the ending confused, but even so the result is a stylish and disquieting chiller that will do for bathtubs what his Ring films did for video recorders. --Kristen BowditchFar more terrifying than what was seen in theaters, this special unrated version ! of DARK WATER is a thoroughly absorbing, suspense-filled thriller starring Jennifer Connelly. Dahlia Williams (Connelly) and her 5-year-old daughter are ready to begin a new life together. But their new apartment â€" dilapidated and worn â€" suddenly seems to take on a life of its own. Mysterious noises, persistent leaks of dark water, and other strange happenings in the deserted apartment above send Dahlia on a haunting and mystifying pursuit â€" one that unleashes a torrent of living nightmares.In many ways Dark Water improves upon the memorable Japanese film it's based on. The earlier version was directed by Hideo Nakata (whose excellent shocker Ringu was remade in America as The Ring), but in the hands of director Walter Salles (The Motorcycle Diaries) and screenwriter Rafael Yglesias, this psychological horror story gets an intelligent and more chillingly effective overhaul. The story is rooted in themes of love and loss that Yglesias simila! rly explored in his excellent screenplay for Peter Weir's F! earless< /i>, here focusing on young mother Dahlia (Jennifer Connelly) as she endures difficult divorce proceedings and settles into a low-rent apartment in New York's cramped Roosevelt Island community, near Manhattan, with her young daughter Cecilia (Ariel Gade). Amidst seemingly endless rainfall, Dahlia's world slowly unravels, and Connelly is superb as a woman seemingly on the verge of a nervous breakdown. Or is she? Could it be that Cecilia's imaginary friend, and the apartment's persistent leaks of dark, dripping water, are the ghostly manifestations of a young girl who had been abandoned by the previous tenant? Creepy atmosphere and high anxiety are expertly maintained by Salles, and supporting roles for Tim Roth, John C. Reilly and especially Pete Postlethwaite give the film an added edge of mystery. The tension builds slowly (gore-mongers and action fans may be disappointed), but the cumulative effect is palpably unnerving, inviting favorable comparison to Rosemary's Baby! . Unlike some other remakes of Japanese horror hits, Dark Water doesn't feel redundant; it stands on its own thanks to the impressive work of everyone involved. --Jeff Shannon
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