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Similarly, plant life, Home tells us, broke up the water molecule and released oxygen into the atmosphere. Everything is linked, everything is part of a grand machine--the film makes this clear in scores of ways, and not just by telling us. Arthus-Bertrand reveals the intricate, breathtaking designs and patterns of glaciers feeding rivers, of animals feeding on plant life so more plant life can grow, of Australia's great Coral Reef's role in keeping the ocean in eco-balance. Of course, a big part of the story is the impact short-sighted humans have on these systems: the way we overfish, or drain deserts of scarce fossil water, or turn non-farming lands into perverse engines for agriculture. There is much to be alarmed at watching Home, but there is much to move one as well. --Tom Keogh"A frank, intriguing memoir."
--People

"Painfully shrewd, and written with real delicacy and path! os."
--The New York Times Book Review

"Hom! e reflec ts the very qualities that first made the working-class English singer a star 45 years ago: intelligence, gentle humor, and a clear, sweet, surprisingly powerful voice . . . In warmly nostalgic later chapters, the book begins to glow."
--Entertainment Weekly

"A delightful remembrance of her own childhood, and an engrossing prelude to her cinematic career . . . Andrews is an accomplished writer who holds back nothing while adding a patina of poetry to the antics and anecdotes throughout this memoir of bittersweet backstage encounters and theatrical triumphs."
--Publishers Weekly (starred review)

"Frank and fascinating . . . Andrews comes across as plainspoken, guilelessly charming and resoundingly tough."
--Time

In Home: A Memoir of My Early Years, Julie Andrews takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in A! merica.Syphilis, alcoholism, infidelity, and indeterminate parentage may seem improbable touchstones in the back story of one who didn't so much portray as embody the blithe Maria in The Sound of Music. But as this memoir of her formative years makes clear, there is more gravitas to Andrews than meets the eye. From her childhood in rural England and initial forays into British theater, to her first massive successes on Broadway and in the West End--notably as Eliza Doolittle in My Fair Lady--Home puts her celebrated career in context. While arguably offering more detail about the Andrews family than necessary, it nevertheless dishes wonderful anecdotes about legends and Andrews contemporaries like Noël Coward, Rex Harrison, Robert Goulet, Richard Burton, and Rodgers and Hammerstein, in prose as crisp and immaculate as the author herself. It also offers a revealing look into the intricate, exhaustive craft of performing--skills often taken for granted i! n tabloid times. Since the book ends just as Andrews is about ! to launc h into the celluloid stratosphere, can Volume II be far behind? After Home, it would be most welcome. --Kim Hughes

A family.
A house.
A neighborhood.
A place to play.
A place to feel safe.

Little by little, baby Tracy grows. She and her neighbors begin to rescue their street. Together, children and adults plant grass and trees and bushes in the empty spaces. They paint murals over old graffiti. They stop the cars. Everything begins to blossom.

In Jeannie Baker's striking, natural collages, an urban community reclaims its land. A drab city street becomes a living, thriving neighborhood -- a place to call home.